Glass Ghost, Inlets, Bell

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Friday, March 12th at 92YTribeca

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Show Details

Time:8:30pm
Ticket Price:$10
Ages:All Ages
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200 Hudson St
New York, NY 10013
(212) 601-1000

Glass Ghost
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Glass Ghost is Eliot Krimsky on Vocals and Keyboards and Mike Johnson on Drums. They used to play together in 'Best of Boston' at community centers, clothing stores and for kids. Then they played together in 'Flying', and now in Glass Ghost. Their debut album, 'Idol Omen' will be out on Western Vinyl recordings on Oct 27.

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Glass Ghost is Eliot Krimsky on Vocals and Keyboards and Mike Johnson on Drums. They used to play together in 'Best of Boston' at community centers, clothing stores and for kids. Then they played together in 'Flying', and now in Glass Ghost. Their debut album, 'Idol Omen' will be out on Western Vinyl recordings on Oct 27.

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Inlets
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A worrier, childhood choir member, and unfocused student of many instruments, Sebastian Krueger marries the darker ornaments of baroque pop with lo-fi intimacy. Far from his Wisconsin roots and perfunctory piano lessons, he works out of a small Brooklyn apartment as Inlets, incubating songs over the course of months and creating short, dusty suites.

Thanksgiving of 2006 brought the free online release of Inlets' first offering, The Vestibule EP, an eight-song collection that won round praise from music blogs including Stereogum, Gorilla vs Bear, Said The Gramophone, and La Blogotheque. Framed by eclectic layers of clustered woodwinds, brass, and percussive guitars, the record captured a personal and raw enterprise.

Rather than promote the new project, Krueger dug in and committed to the slow process of writing an ambitious collection of new songs. Now, Inter Arbiter picks up where Vestibule left off, but the scope is wider and the hues are sharper. Krueger has honed his arranging abilities, creating elegant high drama from bursts of strings and discord from jangly cheap guitars.

Inter Arbiter is due April 20th via Two Syllable Records.

inletsmusic.com
myspace.com/inlets
fac [Read more]
A worrier, childhood choir member, and unfocused student of many instruments, Sebastian Krueger marries the darker ornaments of baroque pop with lo-fi intimacy. Far from his Wisconsin roots and perfunctory piano lessons, he works out of a small Brooklyn apartment as Inlets, incubating songs over the course of months and creating short, dusty suites.

Thanksgiving of 2006 brought the free online release of Inlets' first offering, The Vestibule EP, an eight-song collection that won round praise from music blogs including Stereogum, Gorilla vs Bear, Said The Gramophone, and La Blogotheque. Framed by eclectic layers of clustered woodwinds, brass, and percussive guitars, the record captured a personal and raw enterprise.

Rather than promote the new project, Krueger dug in and committed to the slow process of writing an ambitious collection of new songs. Now, Inter Arbiter picks up where Vestibule left off, but the scope is wider and the hues are sharper. Krueger has honed his arranging abilities, creating elegant high drama from bursts of strings and discord from jangly cheap guitars.

Inter Arbiter is due April 20th via Two Syllable Records.

inletsmusic.com
myspace.com/inlets
facebook.com/pages/Inlets/18679845970?ref=ts

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Bell
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