Hallelujah The Hills, Zachary Cale, Woodsy Pride

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Thursday, May 10th at Union Pool

Show Details

Time:9pm
Ticket Price:$8
Ages:21+
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484 Union Ave
Brooklyn, NY 11211
(718) 609-0484

Hallelujah The Hills
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Six Gentleman In Charge Of 3 Full Length Albums, 1 EP, & A Half Dozen Singles. No One Knows What Happens Next.

Ryan Walsh - vocals, guitar, samples
David Bentley - cello, guitar
Nicholas Ward - bass
Brian Rutledge - trumpet, trombone
Joe Marrett - tambourine, banjo
Ryan Connelly - drums

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.


Six Gentleman In Charge Of 3 Full Length Albums, 1 EP, & A Half Dozen Singles. No One Knows What Happens Next.

Ryan Walsh - vocals, guitar, samples
David Bentley - cello, guitar
Nicholas Ward - bass
Brian Rutledge - trumpet, trombone
Joe Marrett - tambourine, banjo
Ryan Connelly - drums

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Zachary Cale
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Zachary Cale is a songwriter originally hailing from the small town of Enon, Louisiana. His music ranges from lyrical folk balladry and American primitive inspired guitar instrumentals to experiments in popular song forms.

Over the span of 6 years he has released four full length albums, Outlander Sessions (2005), Walking Papers (2008), a full band rock record See-Saw (2008) under the name Illuminations, and most recently his third solo effort, Noise of Welcome (2011). He often performs alone with an acoustic guitar but has been known to include a revolving cast of musicians whom he calls The Rainband.


User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Zachary Cale is a songwriter originally hailing from the small town of Enon, Louisiana. His music ranges from lyrical folk balladry and American primitive inspired guitar instrumentals to experiments in popular song forms.

Over the span of 6 years he has released four full length albums, Outlander Sessions (2005), Walking Papers (2008), a full band rock record See-Saw (2008) under the name Illuminations, and most recently his third solo effort, Noise of Welcome (2011). He often performs alone with an acoustic guitar but has been known to include a revolving cast of musicians whom he calls The Rainband.


User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Woodsy Pride
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Woodsy Pride is one of those bands that speak telepathically, every turn and phrase is dictated by live feel. Situated somewhere between 90's era Drag City bands like Palace and Smog as well as the shambling death blues of Nick Cave and the Bad Seeds, Woodsy Pride play a haunted western music that is built on poetic vocals, beautiful acoustics and country rock of the highest order. Steeped in the Southern Gothic tradition. the trio of Uriah Theriault, Bill Augustus and John Studer compose songs that are cut from the same cloth as western archetypes such as Neil Young, John Fogerty and Will Oldham; songwriters who are known for testing the boundaries of traditional song forms in order to reveal hymns of their own design. Their self-titled EP displays an angular autumnal sound that weaves intricate tales of love and woe over elegantly composed guitar phrases. It's a beautifully arranged record full of earthen tones and dark hues that reflect the long shadows cast on American music.




User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Woodsy Pride is one of those bands that speak telepathically, every turn and phrase is dictated by live feel. Situated somewhere between 90's era Drag City bands like Palace and Smog as well as the shambling death blues of Nick Cave and the Bad Seeds, Woodsy Pride play a haunted western music that is built on poetic vocals, beautiful acoustics and country rock of the highest order. Steeped in the Southern Gothic tradition. the trio of Uriah Theriault, Bill Augustus and John Studer compose songs that are cut from the same cloth as western archetypes such as Neil Young, John Fogerty and Will Oldham; songwriters who are known for testing the boundaries of traditional song forms in order to reveal hymns of their own design. Their self-titled EP displays an angular autumnal sound that weaves intricate tales of love and woe over elegantly composed guitar phrases. It's a beautifully arranged record full of earthen tones and dark hues that reflect the long shadows cast on American music.




User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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