Dan Friel is one quarter of Parts & Labor. He uses a variety of electronics and instruments to make science. Music science.

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Drawing from traditions of 20th century instrumental synthesizer music, Jonas Reinhardt represents a love affair between analog electronics, sweeping atmospherics, and driving motorik beats. Combined together, these elements bring the album's 13 pieces into focus as the soundtrack for an inner-eyelid space epic that never was. Inspired in equal measure by the natural beauty of his California coastal surroundings, continental European art-rock experimentation, and the freewheeling punk aesthetic of contemporary home studio recording, Jonas Reinhardt's music transcends it's influences to bring into being a work that's wholly new while referencing a celebrated aesthetic of the past. Armed with a battery of analog synthesizers and vintage drum machines, Jonas writes music that is at times stark and spare and at others lush and all-encompassing; all the while keeping an underlying rhythmic pulse just beneath the surface. Jonas describes his technique as `a spirited conversation between man, machines, and the ecstatic truth of the chaotic unknown.` With this album, Jonas carefully constructs melodies and rhythmic foundations then pushes the limits of recording to the sonic fringes and beyond. The effect is a warm, hauntingly familiar sound bounded by unpredictability.

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Megafortress is New York musician Bill Gillim. The project was conceived as a series of fictional field recordings, and has transformed into a collection of vocal meditations.

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