Mike Watt & Friends: May 2, 2012 Le Poisson Rouge – FLAC and MP3 Downloads + Streaming SongPosted Thu, May 24th
Thursday, February 23rd at Brooklyn Fire Proof East
119 Ingraham St
Brooklyn, NY 11237Philip White
philip white (always lower-case) is the American composer of "The Alpha & Omega Suite", a musical odyssey in thirty-five parts, composed over the course of nine years between the years of 2000 and 2008. The suite is two hours and forty minutes in length and covers some four thousand years of recorded biblical history. Though heavy on lyrics, the compositions were also written to stand on their own as an orchestrated instrumental.
After taking a two year hiatus away from the music, at the end of 2010 philip returned to the compositions and started notating and scoring, turning the basic pop songs into orchestrations. The new variation on the Suite is referred to as 'the Seasons'. Each season contains a different take on the individual pieces, for instance Autumn emphasizes strings and orchestra, Winter is heavy on piano, Spring will be mellow and hard guitars, and Summer is not determined yet.
The Alpha & Omega Suite is Music for People Who Love and Appreciate Melody and that is the purpose of producing so many variations. It is music which is highly melodic and communicative!
User-contributed text is available under the Creative Commons By-SA License and may also be a [Read more]
After taking a two year hiatus away from the music, at the end of 2010 philip returned to the compositions and started notating and scoring, turning the basic pop songs into orchestrations. The new variation on the Suite is referred to as 'the Seasons'. Each season contains a different take on the individual pieces, for instance Autumn emphasizes strings and orchestra, Winter is heavy on piano, Spring will be mellow and hard guitars, and Summer is not determined yet.
The Alpha & Omega Suite is Music for People Who Love and Appreciate Melody and that is the purpose of producing so many variations. It is music which is highly melodic and communicative!
User-contributed text is available under the Creative Commons By-SA License and may also be a [Read more]
philip white (always lower-case) is the American composer of "The Alpha & Omega Suite", a musical odyssey in thirty-five parts, composed over the course of nine years between the years of 2000 and 2008. The suite is two hours and forty minutes in length and covers some four thousand years of recorded biblical history. Though heavy on lyrics, the compositions were also written to stand on their own as an orchestrated instrumental.
After taking a two year hiatus away from the music, at the end of 2010 philip returned to the compositions and started notating and scoring, turning the basic pop songs into orchestrations. The new variation on the Suite is referred to as 'the Seasons'. Each season contains a different take on the individual pieces, for instance Autumn emphasizes strings and orchestra, Winter is heavy on piano, Spring will be mellow and hard guitars, and Summer is not determined yet.
The Alpha & Omega Suite is Music for People Who Love and Appreciate Melody and that is the purpose of producing so many variations. It is music which is highly melodic and communicative!
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
After taking a two year hiatus away from the music, at the end of 2010 philip returned to the compositions and started notating and scoring, turning the basic pop songs into orchestrations. The new variation on the Suite is referred to as 'the Seasons'. Each season contains a different take on the individual pieces, for instance Autumn emphasizes strings and orchestra, Winter is heavy on piano, Spring will be mellow and hard guitars, and Summer is not determined yet.
The Alpha & Omega Suite is Music for People Who Love and Appreciate Melody and that is the purpose of producing so many variations. It is music which is highly melodic and communicative!
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Zaimph
Zaimph is a solo project of Marcia Bassett (Double Leopards, Hototogisu).
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Zaimph is a solo project of Marcia Bassett (Double Leopards, Hototogisu).
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Dan Malinsky
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Anne Guthrie
Born 1983 Minneapolis, Minnesota. BA in English and a BMus in Composition, University of Iowa, May 2005. Studied French horn with Jeffrey Agrell, and Composition with Amelia Kaplan, David Gompper, and Lawrence Fritts. Studied composition with Michael Young at Goldsmith's college in London, Fall 2003. Currently, Anne is the Managing Director of the S.E.M. Ensemble in Brooklyn.
Anne's sound installations have been exhibited at the International Center in Iowa City. Her acoustic compositions have been performed by the University of Iowa Chamber Orchestra and by the S.E.M. Ensemble. Her poetry has been published in 1913: A Journal of Forms, and by Strange Tractor Publications, a free press she co-founded in 2004. As a French horn improviser, she has performed with Edwin Prevost and Mattin of Sakada in Hackney, London, and with the New York Sound Painting Orchestra led by Walter Thompson at several venues in New York City.
Anne's electronic works focus on field recordings that exploit the natural resonance of unique architectural spaces. These recordings are subject to light filtering processes to further emphasize the resonant frequencies of the space. To see more audio and video wor [Read more]
Anne's sound installations have been exhibited at the International Center in Iowa City. Her acoustic compositions have been performed by the University of Iowa Chamber Orchestra and by the S.E.M. Ensemble. Her poetry has been published in 1913: A Journal of Forms, and by Strange Tractor Publications, a free press she co-founded in 2004. As a French horn improviser, she has performed with Edwin Prevost and Mattin of Sakada in Hackney, London, and with the New York Sound Painting Orchestra led by Walter Thompson at several venues in New York City.
Anne's electronic works focus on field recordings that exploit the natural resonance of unique architectural spaces. These recordings are subject to light filtering processes to further emphasize the resonant frequencies of the space. To see more audio and video wor [Read more]
Born 1983 Minneapolis, Minnesota. BA in English and a BMus in Composition, University of Iowa, May 2005. Studied French horn with Jeffrey Agrell, and Composition with Amelia Kaplan, David Gompper, and Lawrence Fritts. Studied composition with Michael Young at Goldsmith's college in London, Fall 2003. Currently, Anne is the Managing Director of the S.E.M. Ensemble in Brooklyn.
Anne's sound installations have been exhibited at the International Center in Iowa City. Her acoustic compositions have been performed by the University of Iowa Chamber Orchestra and by the S.E.M. Ensemble. Her poetry has been published in 1913: A Journal of Forms, and by Strange Tractor Publications, a free press she co-founded in 2004. As a French horn improviser, she has performed with Edwin Prevost and Mattin of Sakada in Hackney, London, and with the New York Sound Painting Orchestra led by Walter Thompson at several venues in New York City.
Anne's electronic works focus on field recordings that exploit the natural resonance of unique architectural spaces. These recordings are subject to light filtering processes to further emphasize the resonant frequencies of the space. To see more audio and video works, go to www.fraufraulein.com.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Anne's sound installations have been exhibited at the International Center in Iowa City. Her acoustic compositions have been performed by the University of Iowa Chamber Orchestra and by the S.E.M. Ensemble. Her poetry has been published in 1913: A Journal of Forms, and by Strange Tractor Publications, a free press she co-founded in 2004. As a French horn improviser, she has performed with Edwin Prevost and Mattin of Sakada in Hackney, London, and with the New York Sound Painting Orchestra led by Walter Thompson at several venues in New York City.
Anne's electronic works focus on field recordings that exploit the natural resonance of unique architectural spaces. These recordings are subject to light filtering processes to further emphasize the resonant frequencies of the space. To see more audio and video works, go to www.fraufraulein.com.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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