Mike Watt & Friends: May 2, 2012 Le Poisson Rouge – FLAC and MP3 Downloads + Streaming SongPosted Thu, May 24th
Tuesday, April 10th at Mercury Lounge
Artist Websites
217 East Houston St
New York, NY 10002Sleepy Sun
The band of brothers known far and wide as Sleepy Sun don't sit still for long. Though they remain real and spiritual citizens of the Northern California hive that birthed the band in the latter half of the last decade, Sleepy Sun is a rambling band- a certifiably vagabond unit that built a reputation among American and European audiences as fine-tuned, ironclad locomotive and candy sweet heavy pop machine. Barnstorming the Great Plains....stealing afternoons from the unsuspecting on the European festival-go-round...hooking the uninitiated opening for the Arctic Monkeys, Black Angels, and Low Anthem, they've done yeoman's work, sparked the party, and made the music sound young again.
Sleepy Sun's miles, months, and days in the van are a tangible presence in Spine Hits, an LP of whimsy, restlessness, and urgency that leaps nimbly from landscape to landscape with ease, irreverence, and a catch-em-before-they-ain't changeling nature. For the most part, the sprawling Zeppelin-esque epics that defined much of Embrace and Fever have been traded in for a potent pop-compact framework. But never at the expense of the dodging, juking, and downshifting instincts that set their older long fo [Read more]
Sleepy Sun's miles, months, and days in the van are a tangible presence in Spine Hits, an LP of whimsy, restlessness, and urgency that leaps nimbly from landscape to landscape with ease, irreverence, and a catch-em-before-they-ain't changeling nature. For the most part, the sprawling Zeppelin-esque epics that defined much of Embrace and Fever have been traded in for a potent pop-compact framework. But never at the expense of the dodging, juking, and downshifting instincts that set their older long fo [Read more]
The band of brothers known far and wide as Sleepy Sun don't sit still for long. Though they remain real and spiritual citizens of the Northern California hive that birthed the band in the latter half of the last decade, Sleepy Sun is a rambling band- a certifiably vagabond unit that built a reputation among American and European audiences as fine-tuned, ironclad locomotive and candy sweet heavy pop machine. Barnstorming the Great Plains....stealing afternoons from the unsuspecting on the European festival-go-round...hooking the uninitiated opening for the Arctic Monkeys, Black Angels, and Low Anthem, they've done yeoman's work, sparked the party, and made the music sound young again.
Sleepy Sun's miles, months, and days in the van are a tangible presence in Spine Hits, an LP of whimsy, restlessness, and urgency that leaps nimbly from landscape to landscape with ease, irreverence, and a catch-em-before-they-ain't changeling nature. For the most part, the sprawling Zeppelin-esque epics that defined much of Embrace and Fever have been traded in for a potent pop-compact framework. But never at the expense of the dodging, juking, and downshifting instincts that set their older long form pieces apart from a thousand other psychedelic drone warriors.
Recorded under the big skies of the California high desert with Queens of Stone Age and Eagles of Death Metal alumnus Dave Catching, the jams on Spine Hits are alternatingly precision whittled and moodily muscular. Matt Holliman and Evan Reiss' guitars adroitly move from steamroller heavy to beachside airy and bouncing to interstellar- tinkering with texture and dynamics like never before. Vocalist Bret Constantino sings with a road-toughened, husky soul yowl and hush that occasionally betrays a society-weary frustration but more often hints at a way out. The rhythm section of drummer Brian Tice and Jack Allen is a super-cohesive, tricky, and tough-as-hell unit that keeps the Sleepy train on track as it teeters, creeps and runs wild across the land.
To any seasoned Sleepy Sun listener the new destinations will be surprises and revelations. "V.O.G." hints at a backstage conspiracy hatched on the Arctic Monkeys tour- buoyant and tight as a wire. "Boat Trip" moseys with a Lou Reed offhandedness- a postcard from Brian Wilson's forgotten vacation with the Velvets. "Still Breathing" is an elegiac nod to the band's early alignment with the Verve's dreamworlds.
For Sleepy spotters that came to love the band in its most massively rocking incarnations, there are the slow burns- "Stivey Pond" a sinister, stalking, and tender lurching beast bearing down on the subject of its obsession. And "Lioness (Requiem)" - a drifting, drowsy, late night lost in contemplation, dawn nowhere in sight.
Spine Hits isn't a portrait of a band in a moment. It's a box of snapshots spilled on the floor and blowing in the wind...left behind by a band that can't stop moving, but remembers what they left behind in a thousand colors.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Sleepy Sun's miles, months, and days in the van are a tangible presence in Spine Hits, an LP of whimsy, restlessness, and urgency that leaps nimbly from landscape to landscape with ease, irreverence, and a catch-em-before-they-ain't changeling nature. For the most part, the sprawling Zeppelin-esque epics that defined much of Embrace and Fever have been traded in for a potent pop-compact framework. But never at the expense of the dodging, juking, and downshifting instincts that set their older long form pieces apart from a thousand other psychedelic drone warriors.
Recorded under the big skies of the California high desert with Queens of Stone Age and Eagles of Death Metal alumnus Dave Catching, the jams on Spine Hits are alternatingly precision whittled and moodily muscular. Matt Holliman and Evan Reiss' guitars adroitly move from steamroller heavy to beachside airy and bouncing to interstellar- tinkering with texture and dynamics like never before. Vocalist Bret Constantino sings with a road-toughened, husky soul yowl and hush that occasionally betrays a society-weary frustration but more often hints at a way out. The rhythm section of drummer Brian Tice and Jack Allen is a super-cohesive, tricky, and tough-as-hell unit that keeps the Sleepy train on track as it teeters, creeps and runs wild across the land.
To any seasoned Sleepy Sun listener the new destinations will be surprises and revelations. "V.O.G." hints at a backstage conspiracy hatched on the Arctic Monkeys tour- buoyant and tight as a wire. "Boat Trip" moseys with a Lou Reed offhandedness- a postcard from Brian Wilson's forgotten vacation with the Velvets. "Still Breathing" is an elegiac nod to the band's early alignment with the Verve's dreamworlds.
For Sleepy spotters that came to love the band in its most massively rocking incarnations, there are the slow burns- "Stivey Pond" a sinister, stalking, and tender lurching beast bearing down on the subject of its obsession. And "Lioness (Requiem)" - a drifting, drowsy, late night lost in contemplation, dawn nowhere in sight.
Spine Hits isn't a portrait of a band in a moment. It's a box of snapshots spilled on the floor and blowing in the wind...left behind by a band that can't stop moving, but remembers what they left behind in a thousand colors.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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White Hills
With just the right blend of psychedelia and hypnotic grooves, WHITE HILLS weaves in and out of anthemic chants, deep space bleeps and other worldly madness for a mix that proves to be intoxicating. Since the release of the band's debut CD, listeners have been praising their originality and unique brand of heavy space rock.
White Hills formed out of the need to forge Space Rock into the 21st Century. The band began as a solo project by Dave W. Since then it has turned into a trio, with Ego Sensation on bass and Lee Hinshaw on drums.
In the summer of 2005, Julian Cope released a remixed version of the band's debut on his Fuck Off & Di label, titled THEY'VE GOT BLOOD LIKE WE'VE GOT BLOOD. This limited edition release features an extended version of the track No Game To Play as well as re-sequencing/editing. White Hills was also featured on the limited edition Head Heritage Sampler Due To Lack Of Interest Tomorrow Has Been Canceled. Other artists featured on the release include Julian Cope, Dogntank (Doggen, guitarist with Spiritualized and Julian Cope's band), Comets On Fire, Temple of Bon Matin, The New Lou Reeds and more.
2006 saw the band's debut performance in the UK suppo [Read more]
White Hills formed out of the need to forge Space Rock into the 21st Century. The band began as a solo project by Dave W. Since then it has turned into a trio, with Ego Sensation on bass and Lee Hinshaw on drums.
In the summer of 2005, Julian Cope released a remixed version of the band's debut on his Fuck Off & Di label, titled THEY'VE GOT BLOOD LIKE WE'VE GOT BLOOD. This limited edition release features an extended version of the track No Game To Play as well as re-sequencing/editing. White Hills was also featured on the limited edition Head Heritage Sampler Due To Lack Of Interest Tomorrow Has Been Canceled. Other artists featured on the release include Julian Cope, Dogntank (Doggen, guitarist with Spiritualized and Julian Cope's band), Comets On Fire, Temple of Bon Matin, The New Lou Reeds and more.
2006 saw the band's debut performance in the UK suppo [Read more]
With just the right blend of psychedelia and hypnotic grooves, WHITE HILLS weaves in and out of anthemic chants, deep space bleeps and other worldly madness for a mix that proves to be intoxicating. Since the release of the band's debut CD, listeners have been praising their originality and unique brand of heavy space rock.
White Hills formed out of the need to forge Space Rock into the 21st Century. The band began as a solo project by Dave W. Since then it has turned into a trio, with Ego Sensation on bass and Lee Hinshaw on drums.
In the summer of 2005, Julian Cope released a remixed version of the band's debut on his Fuck Off & Di label, titled THEY'VE GOT BLOOD LIKE WE'VE GOT BLOOD. This limited edition release features an extended version of the track No Game To Play as well as re-sequencing/editing. White Hills was also featured on the limited edition Head Heritage Sampler Due To Lack Of Interest Tomorrow Has Been Canceled. Other artists featured on the release include Julian Cope, Dogntank (Doggen, guitarist with Spiritualized and Julian Cope's band), Comets On Fire, Temple of Bon Matin, The New Lou Reeds and more.
2006 saw the band's debut performance in the UK supporting Julian Cope at KOKO in London on February 16th, the second pressing of THEY'VE GOT BLOOD LIKE WE'VE GOT BLOOD, and the second pressing of the band's version of their debut release titled NO GAME TO PLAY.
Currently, WHITE HILLS has released their sophomore album, GLITTER GLAMOUR ATROCITY. The band has also completed a collaboration (titled Wish You Weren't Here...due for release in February 2007) with the San Francisco based experimental act White Pee and has provided a track for spoken word artist Dan McGuire's (of JAMNATION fame) next album titled Phosphene River. On top of all this the band continues to blow away audiences up and down the East Coast and is back in the studio laying down tracks for their next album.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
White Hills formed out of the need to forge Space Rock into the 21st Century. The band began as a solo project by Dave W. Since then it has turned into a trio, with Ego Sensation on bass and Lee Hinshaw on drums.
In the summer of 2005, Julian Cope released a remixed version of the band's debut on his Fuck Off & Di label, titled THEY'VE GOT BLOOD LIKE WE'VE GOT BLOOD. This limited edition release features an extended version of the track No Game To Play as well as re-sequencing/editing. White Hills was also featured on the limited edition Head Heritage Sampler Due To Lack Of Interest Tomorrow Has Been Canceled. Other artists featured on the release include Julian Cope, Dogntank (Doggen, guitarist with Spiritualized and Julian Cope's band), Comets On Fire, Temple of Bon Matin, The New Lou Reeds and more.
2006 saw the band's debut performance in the UK supporting Julian Cope at KOKO in London on February 16th, the second pressing of THEY'VE GOT BLOOD LIKE WE'VE GOT BLOOD, and the second pressing of the band's version of their debut release titled NO GAME TO PLAY.
Currently, WHITE HILLS has released their sophomore album, GLITTER GLAMOUR ATROCITY. The band has also completed a collaboration (titled Wish You Weren't Here...due for release in February 2007) with the San Francisco based experimental act White Pee and has provided a track for spoken word artist Dan McGuire's (of JAMNATION fame) next album titled Phosphene River. On top of all this the band continues to blow away audiences up and down the East Coast and is back in the studio laying down tracks for their next album.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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