The War on Drugs is an American indie rock band from Philadelphia, Pennsylvania.

Band member Adam Granduciel (born Adam Granofsky in Dover, Massachusetts) moved from Oakland, California to Philadelphia in 2003, where he met Kurt Vile and began playing music with him. They began playing as The War on Drugs in 2005, and self-released a demo EP. While Vile and Granduciel formed the backbone of the band, they had a number of accompanists early in the group's career, before finally settling on a lineup that added Charlie Hall as drummer/organist, kyle lloyd as drummer and Dave Hartley on bass. Granduciel had previously toured and recorded with The Capitol Years, and Vile has several solo albums. The group gave away its Barrel of Batteries EP for free early in 2008. Their debut LP for Secretly Canadian, Wagonwheel Blues, was released in 2008.

Reviewers of the band's music make note of its Americana overtones. The group's sound has been described as influenced by Bob Dylan, Bruce Springsteen, and My Bloody Valentine.

The lineup underwent several changes, and by the end of 2008, Kurt Vile, Charlie Hall, and Kyle Lloyd had all exited the group. Granduciel and Hartley were joined by drummer Mike Zanghi as the group slimmed to three members.
After Zanghi's exit in 2010, Steven Urgo took over drum duties and Robbie Bennett joined on keys

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The band of brothers known far and wide as Sleepy Sun don't sit still for long. Though they remain real and spiritual citizens of the Northern California hive that birthed the band in the latter half of the last decade, Sleepy Sun is a rambling band- a certifiably vagabond unit that built a reputation among American and European audiences as fine-tuned, ironclad locomotive and candy sweet heavy pop machine. Barnstorming the Great Plains....stealing afternoons from the unsuspecting on the European festival-go-round...hooking the uninitiated opening for the Arctic Monkeys, Black Angels, and Low Anthem, they've done yeoman's work, sparked the party, and made the music sound young again.

Sleepy Sun's miles, months, and days in the van are a tangible presence in Spine Hits, an LP of whimsy, restlessness, and urgency that leaps nimbly from landscape to landscape with ease, irreverence, and a catch-em-before-they-ain't changeling nature. For the most part, the sprawling Zeppelin-esque epics that defined much of Embrace and Fever have been traded in for a potent pop-compact framework. But never at the expense of the dodging, juking, and downshifting instincts that set their older long form pieces apart from a thousand other psychedelic drone warriors.

Recorded under the big skies of the California high desert with Queens of Stone Age and Eagles of Death Metal alumnus Dave Catching, the jams on Spine Hits are alternatingly precision whittled and moodily muscular. Matt Holliman and Evan Reiss' guitars adroitly move from steamroller heavy to beachside airy and bouncing to interstellar- tinkering with texture and dynamics like never before. Vocalist Bret Constantino sings with a road-toughened, husky soul yowl and hush that occasionally betrays a society-weary frustration but more often hints at a way out. The rhythm section of drummer Brian Tice and Jack Allen is a super-cohesive, tricky, and tough-as-hell unit that keeps the Sleepy train on track as it teeters, creeps and runs wild across the land.

To any seasoned Sleepy Sun listener the new destinations will be surprises and revelations. "V.O.G." hints at a backstage conspiracy hatched on the Arctic Monkeys tour- buoyant and tight as a wire. "Boat Trip" moseys with a Lou Reed offhandedness- a postcard from Brian Wilson's forgotten vacation with the Velvets. "Still Breathing" is an elegiac nod to the band's early alignment with the Verve's dreamworlds.

For Sleepy spotters that came to love the band in its most massively rocking incarnations, there are the slow burns- "Stivey Pond" a sinister, stalking, and tender lurching beast bearing down on the subject of its obsession. And "Lioness (Requiem)" - a drifting, drowsy, late night lost in contemplation, dawn nowhere in sight.

Spine Hits isn't a portrait of a band in a moment. It's a box of snapshots spilled on the floor and blowing in the wind...left behind by a band that can't stop moving, but remembers what they left behind in a thousand colors.

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User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.