Mike Watt & Friends: May 2, 2012 Le Poisson Rouge – FLAC and MP3 Downloads + Streaming SongPosted Thu, May 24th
Thursday, February 16th at 285 Kent Ave
285 Kent Ave
Brooklyn, NY 11211Lucky Dragons
any recorded or performed or installed or packaged or shared pieces made by Luke Fischbeck, Sarah Rara, and any sometimes collaborators.
lucky dragons shows are about the birthing of new and temporary creatures--creating equal-power situations in which audience members cooperate amongst themselves, to build a fragile network of digital signals connected by touching on the skin. There have been hundreds of these simple yet shifting and unpredictable instances--with audiences ranging from the intense intimacy of one person to the public spectacle of over one thousand people. At the heart of it all is playing together--building up social collectivities, re-engaging the wonder and impossibility of technology and live performance. It sounds--and looks--like simple and ancient patterns coming together and falling apart in a sincere attempt to let wires and screens and words become clear and crystal.
they keep a busy schedule of performances and visits and festivals and workshops and things, in the present, and in the past: NY's PS1, the Centre Georges Pompidou in Paris, the Philadelphia Institute for Contemporary Art, the Portland Institute for Contemporary Art, the Museum of Contempo [Read more]
lucky dragons shows are about the birthing of new and temporary creatures--creating equal-power situations in which audience members cooperate amongst themselves, to build a fragile network of digital signals connected by touching on the skin. There have been hundreds of these simple yet shifting and unpredictable instances--with audiences ranging from the intense intimacy of one person to the public spectacle of over one thousand people. At the heart of it all is playing together--building up social collectivities, re-engaging the wonder and impossibility of technology and live performance. It sounds--and looks--like simple and ancient patterns coming together and falling apart in a sincere attempt to let wires and screens and words become clear and crystal.
they keep a busy schedule of performances and visits and festivals and workshops and things, in the present, and in the past: NY's PS1, the Centre Georges Pompidou in Paris, the Philadelphia Institute for Contemporary Art, the Portland Institute for Contemporary Art, the Museum of Contempo [Read more]
any recorded or performed or installed or packaged or shared pieces made by Luke Fischbeck, Sarah Rara, and any sometimes collaborators.
lucky dragons shows are about the birthing of new and temporary creatures--creating equal-power situations in which audience members cooperate amongst themselves, to build a fragile network of digital signals connected by touching on the skin. There have been hundreds of these simple yet shifting and unpredictable instances--with audiences ranging from the intense intimacy of one person to the public spectacle of over one thousand people. At the heart of it all is playing together--building up social collectivities, re-engaging the wonder and impossibility of technology and live performance. It sounds--and looks--like simple and ancient patterns coming together and falling apart in a sincere attempt to let wires and screens and words become clear and crystal.
they keep a busy schedule of performances and visits and festivals and workshops and things, in the present, and in the past: NY's PS1, the Centre Georges Pompidou in Paris, the Philadelphia Institute for Contemporary Art, the Portland Institute for Contemporary Art, the Museum of Contemporary Art San Diego, Frankfurt's Schirn Kunsthalle, Los Angeles' The Smell, NY's The Kitchen, and the 2008 Whitney Biennial, and The Smithsonian Institute's Hirshorn Museum,Tokion's "Creativity Now" conference, etc. lucky dragons live in Los Angeles California and have recorded 19 albums which are all available for downloading.
lucky dragons' sister projects include "sumi ink club"--a weekly collaborative drawing society, and "glaciers of nice"--a small press and internet community.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
lucky dragons shows are about the birthing of new and temporary creatures--creating equal-power situations in which audience members cooperate amongst themselves, to build a fragile network of digital signals connected by touching on the skin. There have been hundreds of these simple yet shifting and unpredictable instances--with audiences ranging from the intense intimacy of one person to the public spectacle of over one thousand people. At the heart of it all is playing together--building up social collectivities, re-engaging the wonder and impossibility of technology and live performance. It sounds--and looks--like simple and ancient patterns coming together and falling apart in a sincere attempt to let wires and screens and words become clear and crystal.
they keep a busy schedule of performances and visits and festivals and workshops and things, in the present, and in the past: NY's PS1, the Centre Georges Pompidou in Paris, the Philadelphia Institute for Contemporary Art, the Portland Institute for Contemporary Art, the Museum of Contemporary Art San Diego, Frankfurt's Schirn Kunsthalle, Los Angeles' The Smell, NY's The Kitchen, and the 2008 Whitney Biennial, and The Smithsonian Institute's Hirshorn Museum,Tokion's "Creativity Now" conference, etc. lucky dragons live in Los Angeles California and have recorded 19 albums which are all available for downloading.
lucky dragons' sister projects include "sumi ink club"--a weekly collaborative drawing society, and "glaciers of nice"--a small press and internet community.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Lichens
Lichens is Robert Aiki Aubrey Lowe.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Lichens is Robert Aiki Aubrey Lowe.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Jean-Sebastien Truchy
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Matteah Baim
Matteah Baim is a folk musician from New York, United States. She began writing music with Sierra Casady in 2005 for Metallic Falcons. After the band disbanded, she continued with a solo career in 2006, releasing her first solo album Death of the Sun in 2007.
Matteah's music is described as disparate, haunted folk that roll over your senses like desert clouds. With the help of a few friends Jana Hunter, Devendra Banhart, and Rob Doran she has taken her palate of lonesome inky textures and blown it dry with a wanderer's spirit. Her songs ring with a wounded sense of femininity and mournful charm that further the tones of her past work.
Her first solo album Death of the Sun is, with the exception of an oddly chosen cover of Michael Row Your Boat Ashore, an album of subdued night shades and hot summer winds; a young songwriter carving a hopeful sadness from the scraps of the past.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Matteah's music is described as disparate, haunted folk that roll over your senses like desert clouds. With the help of a few friends Jana Hunter, Devendra Banhart, and Rob Doran she has taken her palate of lonesome inky textures and blown it dry with a wanderer's spirit. Her songs ring with a wounded sense of femininity and mournful charm that further the tones of her past work.
Her first solo album Death of the Sun is, with the exception of an oddly chosen cover of Michael Row Your Boat Ashore, an album of subdued night shades and hot summer winds; a young songwriter carving a hopeful sadness from the scraps of the past.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Matteah Baim is a folk musician from New York, United States. She began writing music with Sierra Casady in 2005 for Metallic Falcons. After the band disbanded, she continued with a solo career in 2006, releasing her first solo album Death of the Sun in 2007.
Matteah's music is described as disparate, haunted folk that roll over your senses like desert clouds. With the help of a few friends Jana Hunter, Devendra Banhart, and Rob Doran she has taken her palate of lonesome inky textures and blown it dry with a wanderer's spirit. Her songs ring with a wounded sense of femininity and mournful charm that further the tones of her past work.
Her first solo album Death of the Sun is, with the exception of an oddly chosen cover of Michael Row Your Boat Ashore, an album of subdued night shades and hot summer winds; a young songwriter carving a hopeful sadness from the scraps of the past.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Matteah's music is described as disparate, haunted folk that roll over your senses like desert clouds. With the help of a few friends Jana Hunter, Devendra Banhart, and Rob Doran she has taken her palate of lonesome inky textures and blown it dry with a wanderer's spirit. Her songs ring with a wounded sense of femininity and mournful charm that further the tones of her past work.
Her first solo album Death of the Sun is, with the exception of an oddly chosen cover of Michael Row Your Boat Ashore, an album of subdued night shades and hot summer winds; a young songwriter carving a hopeful sadness from the scraps of the past.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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