Mike Watt & Friends: May 2, 2012 Le Poisson Rouge – FLAC and MP3 Downloads + Streaming SongPosted Thu, May 24th
Thursday, February 9th at Pianos
158 Ludlow St
New York, NY 10002(212) 505-3733
Tiberius
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Snowmine
The Brooklyn five-piece embraces an indie pop sound rich with echo pedals, tribal beats, electro-acoustic soundscapes and classical orchestrations. The band is fronted by new-classical composer Grayson Sanders, whose vocals have been compared to Robin Pecknold of Fleet Foxes, and Jim James of My Morning Jacket.
"If Jurassic Park had a houseband, it would sound like SNOWMINE" - Pop Wreckoning
SNOWMINE is: Grayson Sanders, Alex Beckmann, Austin Mendenhall, Jay Goodman, Calvin Pia
email: info@snowmine.com
Visit SNOWMINE's website: www.snowmine.com
Like SNOWMINE: www.facebook.com/snowmine
follow SNOWMINE: www.twitter.com/snowmine
Join SNOWMINE's mailing list: www.eepurl.com/by2kP
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL [Read more]
"If Jurassic Park had a houseband, it would sound like SNOWMINE" - Pop Wreckoning
SNOWMINE is: Grayson Sanders, Alex Beckmann, Austin Mendenhall, Jay Goodman, Calvin Pia
email: info@snowmine.com
Visit SNOWMINE's website: www.snowmine.com
Like SNOWMINE: www.facebook.com/snowmine
follow SNOWMINE: www.twitter.com/snowmine
Join SNOWMINE's mailing list: www.eepurl.com/by2kP
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL [Read more]
The Brooklyn five-piece embraces an indie pop sound rich with echo pedals, tribal beats, electro-acoustic soundscapes and classical orchestrations. The band is fronted by new-classical composer Grayson Sanders, whose vocals have been compared to Robin Pecknold of Fleet Foxes, and Jim James of My Morning Jacket.
"If Jurassic Park had a houseband, it would sound like SNOWMINE" - Pop Wreckoning
SNOWMINE is: Grayson Sanders, Alex Beckmann, Austin Mendenhall, Jay Goodman, Calvin Pia
email: info@snowmine.com
Visit SNOWMINE's website: www.snowmine.com
Like SNOWMINE: www.facebook.com/snowmine
follow SNOWMINE: www.twitter.com/snowmine
Join SNOWMINE's mailing list: www.eepurl.com/by2kP
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
"If Jurassic Park had a houseband, it would sound like SNOWMINE" - Pop Wreckoning
SNOWMINE is: Grayson Sanders, Alex Beckmann, Austin Mendenhall, Jay Goodman, Calvin Pia
email: info@snowmine.com
Visit SNOWMINE's website: www.snowmine.com
Like SNOWMINE: www.facebook.com/snowmine
follow SNOWMINE: www.twitter.com/snowmine
Join SNOWMINE's mailing list: www.eepurl.com/by2kP
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Via Audio
Two years after the release of their critically-acclaimed album Say Something, Brooklyn's indie pop quartet Via Audio releases their sophomore opus, Animalore, a melting pot collection of eccentric sounds- songs infused with fairy tales, folklore, science fiction, romance, seduction, and adventure.
Via Audio was formed in 2003 in between classes at the infamous Berklee College of Music in Boston. After releasing a self-titled EP on the small independent Kill Normal Records in 2004, the band first garnered attention when Death Cab for Cutie's guitarist Chris Walla dubbed them his "new favorite band," in his column for Under the Radar Magazine.
They soon after caught the attention of Spoon drummer Jim Eno, who would become their longtime producer, collaborator and comrade. With Eno's help behind the board, Via Audio released their first full-length, Say Something, in 2007 on California-based indie label Sidecho Records. Pitchfork Media described Say Something as having "such a beautiful gloss over everything that it sticks, hurts, and feels delicious" and the album received accolades from Spin, Nylon, Under the Radar, Alternative Press, theTripwire, and Stereogum [Read more]
Via Audio was formed in 2003 in between classes at the infamous Berklee College of Music in Boston. After releasing a self-titled EP on the small independent Kill Normal Records in 2004, the band first garnered attention when Death Cab for Cutie's guitarist Chris Walla dubbed them his "new favorite band," in his column for Under the Radar Magazine.
They soon after caught the attention of Spoon drummer Jim Eno, who would become their longtime producer, collaborator and comrade. With Eno's help behind the board, Via Audio released their first full-length, Say Something, in 2007 on California-based indie label Sidecho Records. Pitchfork Media described Say Something as having "such a beautiful gloss over everything that it sticks, hurts, and feels delicious" and the album received accolades from Spin, Nylon, Under the Radar, Alternative Press, theTripwire, and Stereogum [Read more]
Two years after the release of their critically-acclaimed album Say Something, Brooklyn's indie pop quartet Via Audio releases their sophomore opus, Animalore, a melting pot collection of eccentric sounds- songs infused with fairy tales, folklore, science fiction, romance, seduction, and adventure.
Via Audio was formed in 2003 in between classes at the infamous Berklee College of Music in Boston. After releasing a self-titled EP on the small independent Kill Normal Records in 2004, the band first garnered attention when Death Cab for Cutie's guitarist Chris Walla dubbed them his "new favorite band," in his column for Under the Radar Magazine.
They soon after caught the attention of Spoon drummer Jim Eno, who would become their longtime producer, collaborator and comrade. With Eno's help behind the board, Via Audio released their first full-length, Say Something, in 2007 on California-based indie label Sidecho Records. Pitchfork Media described Say Something as having "such a beautiful gloss over everything that it sticks, hurts, and feels delicious" and the album received accolades from Spin, Nylon, Under the Radar, Alternative Press, theTripwire, and Stereogum, among others. The band has since toured the U.S. and Japan alongside the likes of Spoon, White Rabbits, Someone Still Loves You Boris Yeltsin, Ha Ha Tonka, and Modern Skirts, making appearances at the South By Southwest, Monolith, and CMJ festivals.
Shutting themselves up again in Eno's Austin, Texas home studio in 2009, the group tackled their latest songbook- the lo-fi electronics of "Digital," the soul-infused funk of "Goldrush," the ethereal surf-lament of "Wanted," the glittery R&B pop of "Babies"- as Eno carefully and artfully crafted different sonic palettes for each unique song on Animalore. The result is an album that plays like a pop-up book for adults, bursting with vivid colors and secret corridors at the turn of every page.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Via Audio was formed in 2003 in between classes at the infamous Berklee College of Music in Boston. After releasing a self-titled EP on the small independent Kill Normal Records in 2004, the band first garnered attention when Death Cab for Cutie's guitarist Chris Walla dubbed them his "new favorite band," in his column for Under the Radar Magazine.
They soon after caught the attention of Spoon drummer Jim Eno, who would become their longtime producer, collaborator and comrade. With Eno's help behind the board, Via Audio released their first full-length, Say Something, in 2007 on California-based indie label Sidecho Records. Pitchfork Media described Say Something as having "such a beautiful gloss over everything that it sticks, hurts, and feels delicious" and the album received accolades from Spin, Nylon, Under the Radar, Alternative Press, theTripwire, and Stereogum, among others. The band has since toured the U.S. and Japan alongside the likes of Spoon, White Rabbits, Someone Still Loves You Boris Yeltsin, Ha Ha Tonka, and Modern Skirts, making appearances at the South By Southwest, Monolith, and CMJ festivals.
Shutting themselves up again in Eno's Austin, Texas home studio in 2009, the group tackled their latest songbook- the lo-fi electronics of "Digital," the soul-infused funk of "Goldrush," the ethereal surf-lament of "Wanted," the glittery R&B pop of "Babies"- as Eno carefully and artfully crafted different sonic palettes for each unique song on Animalore. The result is an album that plays like a pop-up book for adults, bursting with vivid colors and secret corridors at the turn of every page.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Sea of Bees
Sea Of Bees is the creation of Sacramento resident vocalist/songwriter/multi-instrumentalist Julie Ann Bee (Julie Baenziger).
One day Julie, or Jules to those closest to her, was singing in Tape Op Magazine publisher John Baccigaluppi's studio "The Hangar", to which John felt immediately compelled to introduce himself.
An EP (Bee Eee Pee) and LP later (both firsts), Jules seems ready to bring her music (the result of much collaboration and dedication) to the limelight.
Producer John Baccigaluppi knows exactly how to capture Bees' potentially tricky magic and charm, bottling up a voice that is, at once, affecting, haunting, and truly disarming with precise arrangements and a pristine mix. Every instrument is heard and felt, electric guitar stabs are never overused and don't overstay their welcome, and it is clear he understood the most important thing about recording this artist: it's not simply the vocals that are the show, but the emotion that drips from them.
Sea of Bees is the real deal, and Songs for the Ravens is easily one of the best records of the year.
User-contributed text is available under the Creative Commons By-SA License and may also be available und [Read more]
One day Julie, or Jules to those closest to her, was singing in Tape Op Magazine publisher John Baccigaluppi's studio "The Hangar", to which John felt immediately compelled to introduce himself.
An EP (Bee Eee Pee) and LP later (both firsts), Jules seems ready to bring her music (the result of much collaboration and dedication) to the limelight.
Producer John Baccigaluppi knows exactly how to capture Bees' potentially tricky magic and charm, bottling up a voice that is, at once, affecting, haunting, and truly disarming with precise arrangements and a pristine mix. Every instrument is heard and felt, electric guitar stabs are never overused and don't overstay their welcome, and it is clear he understood the most important thing about recording this artist: it's not simply the vocals that are the show, but the emotion that drips from them.
Sea of Bees is the real deal, and Songs for the Ravens is easily one of the best records of the year.
User-contributed text is available under the Creative Commons By-SA License and may also be available und [Read more]
Sea Of Bees is the creation of Sacramento resident vocalist/songwriter/multi-instrumentalist Julie Ann Bee (Julie Baenziger).
One day Julie, or Jules to those closest to her, was singing in Tape Op Magazine publisher John Baccigaluppi's studio "The Hangar", to which John felt immediately compelled to introduce himself.
An EP (Bee Eee Pee) and LP later (both firsts), Jules seems ready to bring her music (the result of much collaboration and dedication) to the limelight.
Producer John Baccigaluppi knows exactly how to capture Bees' potentially tricky magic and charm, bottling up a voice that is, at once, affecting, haunting, and truly disarming with precise arrangements and a pristine mix. Every instrument is heard and felt, electric guitar stabs are never overused and don't overstay their welcome, and it is clear he understood the most important thing about recording this artist: it's not simply the vocals that are the show, but the emotion that drips from them.
Sea of Bees is the real deal, and Songs for the Ravens is easily one of the best records of the year.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
One day Julie, or Jules to those closest to her, was singing in Tape Op Magazine publisher John Baccigaluppi's studio "The Hangar", to which John felt immediately compelled to introduce himself.
An EP (Bee Eee Pee) and LP later (both firsts), Jules seems ready to bring her music (the result of much collaboration and dedication) to the limelight.
Producer John Baccigaluppi knows exactly how to capture Bees' potentially tricky magic and charm, bottling up a voice that is, at once, affecting, haunting, and truly disarming with precise arrangements and a pristine mix. Every instrument is heard and felt, electric guitar stabs are never overused and don't overstay their welcome, and it is clear he understood the most important thing about recording this artist: it's not simply the vocals that are the show, but the emotion that drips from them.
Sea of Bees is the real deal, and Songs for the Ravens is easily one of the best records of the year.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Beat Radio
Beat Radio is an indie pop project guided by New York based singer-songwriter Brian Sendrowitz. The current lineup also features Dan Bills, Brian ver Straten, and Evan Duby.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Beat Radio is an indie pop project guided by New York based singer-songwriter Brian Sendrowitz. The current lineup also features Dan Bills, Brian ver Straten, and Evan Duby.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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