Mike Watt & Friends: May 2, 2012 Le Poisson Rouge – FLAC and MP3 Downloads + Streaming SongPosted Thu, May 24th
Wednesday, April 4th at Music Hall of Williamsburg
Artist Websites
66 N 6th St
Brooklyn, NY 11211Rachael Yamagata
Rachael Yamagata (born on September 23, 1977 in Arlington, Virginia) is a singer-songwriter. She plays piano and acoustic guitar, and her dark, smokey alto garners frequent comparisons to Fiona Apple. Her first full-length album, Happenstance, was released on June 8, 2004.
Yamagata became the vocalist for the Chicago funk-fusion band Bumpus, spending six years with them while writing and recording three albums and touring the country. However, she began to write songs which took on a style that conflicted with the funk vision of the band. In 2001, Yamagata decided to take those songs and pursue a solo career. In September 2002, she landed a two-record deal with Arista's Private Music label, and her EP was released in October.
She also made an appearance in Jason Mraz's second album, singing a song with him called Did You Get My Message?
She also teamed with with Toots & The Maytals to sing Blame On Me.
She also worked with Ryan Adams & The Cardinals on their first album Cold Roses. On that album, where she is credited as: "Our little sis", she did some vocals and played "listenable" piano on the tracks 'Let It Ride', 'Cold Roses' and 'Friends'.
Ya [Read more]
Yamagata became the vocalist for the Chicago funk-fusion band Bumpus, spending six years with them while writing and recording three albums and touring the country. However, she began to write songs which took on a style that conflicted with the funk vision of the band. In 2001, Yamagata decided to take those songs and pursue a solo career. In September 2002, she landed a two-record deal with Arista's Private Music label, and her EP was released in October.
She also made an appearance in Jason Mraz's second album, singing a song with him called Did You Get My Message?
She also teamed with with Toots & The Maytals to sing Blame On Me.
She also worked with Ryan Adams & The Cardinals on their first album Cold Roses. On that album, where she is credited as: "Our little sis", she did some vocals and played "listenable" piano on the tracks 'Let It Ride', 'Cold Roses' and 'Friends'.
Ya [Read more]
Rachael Yamagata (born on September 23, 1977 in Arlington, Virginia) is a singer-songwriter. She plays piano and acoustic guitar, and her dark, smokey alto garners frequent comparisons to Fiona Apple. Her first full-length album, Happenstance, was released on June 8, 2004.
Yamagata became the vocalist for the Chicago funk-fusion band Bumpus, spending six years with them while writing and recording three albums and touring the country. However, she began to write songs which took on a style that conflicted with the funk vision of the band. In 2001, Yamagata decided to take those songs and pursue a solo career. In September 2002, she landed a two-record deal with Arista's Private Music label, and her EP was released in October.
She also made an appearance in Jason Mraz's second album, singing a song with him called Did You Get My Message?
She also teamed with with Toots & The Maytals to sing Blame On Me.
She also worked with Ryan Adams & The Cardinals on their first album Cold Roses. On that album, where she is credited as: "Our little sis", she did some vocals and played "listenable" piano on the tracks 'Let It Ride', 'Cold Roses' and 'Friends'.
Yamagata sang with Rhett Miller on Fireflies from his 2006 release The Believer.
Her songs have featured on several TV shows, including How I Met Your Mother, ER , Nip/Tuck, Men in Trees, Alias, One Tree Hill, Brothers & Sisters and The O.C., to which she made a guest performance in season 2. Yamagata also contributed a song to Mandy Moore's 2007 album, Wild Hope. She also toured with Moore, opening many of her shows around the country.
On May 22, 2008, a new banner was added to her site indicating the digital release of a new EP, Loose Ends, with three new songs, serving as a preview for the now delayed release of her second full-length album.
In early 2008, her site featured a "teaser video" for the new album. The album was finally released on October 7, 2008. Yamagata's second studio album is called Elephants...Teeth Sinking Into Heart. It was originally slated for release in the late-summer of 2007.
On October 9th, 2008, a two-song live acoustic video performance premiered on LiveDaily Sessions, featuring the songs "Faster" and "Sunday Afternoon".
Her highly acclaimed CD Cheasapeake premiered on October 11, 2011. An extensive tour is to follow.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Yamagata became the vocalist for the Chicago funk-fusion band Bumpus, spending six years with them while writing and recording three albums and touring the country. However, she began to write songs which took on a style that conflicted with the funk vision of the band. In 2001, Yamagata decided to take those songs and pursue a solo career. In September 2002, she landed a two-record deal with Arista's Private Music label, and her EP was released in October.
She also made an appearance in Jason Mraz's second album, singing a song with him called Did You Get My Message?
She also teamed with with Toots & The Maytals to sing Blame On Me.
She also worked with Ryan Adams & The Cardinals on their first album Cold Roses. On that album, where she is credited as: "Our little sis", she did some vocals and played "listenable" piano on the tracks 'Let It Ride', 'Cold Roses' and 'Friends'.
Yamagata sang with Rhett Miller on Fireflies from his 2006 release The Believer.
Her songs have featured on several TV shows, including How I Met Your Mother, ER , Nip/Tuck, Men in Trees, Alias, One Tree Hill, Brothers & Sisters and The O.C., to which she made a guest performance in season 2. Yamagata also contributed a song to Mandy Moore's 2007 album, Wild Hope. She also toured with Moore, opening many of her shows around the country.
On May 22, 2008, a new banner was added to her site indicating the digital release of a new EP, Loose Ends, with three new songs, serving as a preview for the now delayed release of her second full-length album.
In early 2008, her site featured a "teaser video" for the new album. The album was finally released on October 7, 2008. Yamagata's second studio album is called Elephants...Teeth Sinking Into Heart. It was originally slated for release in the late-summer of 2007.
On October 9th, 2008, a two-song live acoustic video performance premiered on LiveDaily Sessions, featuring the songs "Faster" and "Sunday Afternoon".
Her highly acclaimed CD Cheasapeake premiered on October 11, 2011. An extensive tour is to follow.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Madi Diaz
With a staggering voice and a gift for poignant melodies and innovative arrangements, Madi Diaz is folding her roots, pop and indie influences into her own paper airplane.
Diaz was raised and home-schooled in Pennsylvania's rural Lancaster county, the daughter of a musician (her father Eric Svalgard plays keyboards in the noted Frank Zappa cover band Project/Object) and a schoolteacher, Nancy Diaz. Encouraged by her parents, Madi began commuting to Philadelphia in 2002 to attend The Paul Green School of Rock Music, where her father would also volunteer (today Eric runs the Wilmington, DE branch of the school, where Madi's brother Max is also an instructor).
Her somewhat contentious relationship with Green himself would be captured for audiences to see in the 2005 documentary film Rock School. Even at that young age, Madi had forceful ideas about her music, an instinct that has served her well in avoiding lazy categorization.
Green's School of Rock led to a scholarship at the Berklee College of Music in Boston, where Madi would spend the next three years. Beyond musical education, it was at Berklee that she met producer Frank Charlton and engineer Martin Cooke, with whom she w [Read more]
Diaz was raised and home-schooled in Pennsylvania's rural Lancaster county, the daughter of a musician (her father Eric Svalgard plays keyboards in the noted Frank Zappa cover band Project/Object) and a schoolteacher, Nancy Diaz. Encouraged by her parents, Madi began commuting to Philadelphia in 2002 to attend The Paul Green School of Rock Music, where her father would also volunteer (today Eric runs the Wilmington, DE branch of the school, where Madi's brother Max is also an instructor).
Her somewhat contentious relationship with Green himself would be captured for audiences to see in the 2005 documentary film Rock School. Even at that young age, Madi had forceful ideas about her music, an instinct that has served her well in avoiding lazy categorization.
Green's School of Rock led to a scholarship at the Berklee College of Music in Boston, where Madi would spend the next three years. Beyond musical education, it was at Berklee that she met producer Frank Charlton and engineer Martin Cooke, with whom she w [Read more]
With a staggering voice and a gift for poignant melodies and innovative arrangements, Madi Diaz is folding her roots, pop and indie influences into her own paper airplane.
Diaz was raised and home-schooled in Pennsylvania's rural Lancaster county, the daughter of a musician (her father Eric Svalgard plays keyboards in the noted Frank Zappa cover band Project/Object) and a schoolteacher, Nancy Diaz. Encouraged by her parents, Madi began commuting to Philadelphia in 2002 to attend The Paul Green School of Rock Music, where her father would also volunteer (today Eric runs the Wilmington, DE branch of the school, where Madi's brother Max is also an instructor).
Her somewhat contentious relationship with Green himself would be captured for audiences to see in the 2005 documentary film Rock School. Even at that young age, Madi had forceful ideas about her music, an instinct that has served her well in avoiding lazy categorization.
Green's School of Rock led to a scholarship at the Berklee College of Music in Boston, where Madi would spend the next three years. Beyond musical education, it was at Berklee that she met producer Frank Charlton and engineer Martin Cooke, with whom she would record her first solo album, Skin and Bone, in early 2007. Joining her for the sessions was another Berklee student, Kyle Ryan, her songwriting and performing collaborator ever since.
Skin and Bone is a sparkling debut, capturing a rootsy side of Diaz as singer-songwriter and drawing comparisons to the work of artists like Patty Griffin. But just as soon as Skin and Bone arrived, Diaz was already moving forward. She and Ryan began co-writing with others, and the pair, often joined by bass player Adam Popick, started to play regularly in and around Boston. A chance meeting at a show in New York City lead Madi to her manager Ty Stiklorius (part of John Legend's management team) and in turn to a publishing deal with Cherry Lane (Ryan, too, signed with Cherry Lane).
With support from her new management and publisher, doors began to open and interest in Madi grew, especially after people saw her perform at places like the Rocky Mountain Folk Festival, WXPN Phildelphia's XPoNential Music Festival and the Living Room in New York City's Lower East Side.
Diaz and Ryan began co-writing with folks like Sarah Siskind, Garrison Starr and David Mead, and recording demos with producers Gary Paczosa (Dixie Chicks, Alison Krauss), Marshall Altman (Matt Nathanson) and Jay Joyce (Patty Griffin). Those sessions eventually spurred Diaz and Ryan to uproot from Boston and move to Nashville, where they continued to write new material and ingratiate themselves into the local scene through local gigs at The Basement and Mercy Lounge. Nashville producers, Ian Fitchuck and Justin Loucks (Landon Pigg, Griffin House, De Novo Dahl) became friends and soon collaborators, the first byproduct of which is Diaz and Ryan's new EP, Ten Gun Salute.
The sound of Ten Gun Salute might surprise those who have heard Skin and Bone, as Madi and Kyle veer off into new sonic territories. Toy pianos plink. Fat basslines oomph. Americana overtones give way to imaginative pop structures. All the while there's that amazing voice weaving through. From the simple and sublime "Heavy Heart," to the instantly memorable "Nothing At All," the evocative storytelling of "Love You Now" to the damn-near-epic title track, Ten Gun Salute finds Diaz soaring.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Diaz was raised and home-schooled in Pennsylvania's rural Lancaster county, the daughter of a musician (her father Eric Svalgard plays keyboards in the noted Frank Zappa cover band Project/Object) and a schoolteacher, Nancy Diaz. Encouraged by her parents, Madi began commuting to Philadelphia in 2002 to attend The Paul Green School of Rock Music, where her father would also volunteer (today Eric runs the Wilmington, DE branch of the school, where Madi's brother Max is also an instructor).
Her somewhat contentious relationship with Green himself would be captured for audiences to see in the 2005 documentary film Rock School. Even at that young age, Madi had forceful ideas about her music, an instinct that has served her well in avoiding lazy categorization.
Green's School of Rock led to a scholarship at the Berklee College of Music in Boston, where Madi would spend the next three years. Beyond musical education, it was at Berklee that she met producer Frank Charlton and engineer Martin Cooke, with whom she would record her first solo album, Skin and Bone, in early 2007. Joining her for the sessions was another Berklee student, Kyle Ryan, her songwriting and performing collaborator ever since.
Skin and Bone is a sparkling debut, capturing a rootsy side of Diaz as singer-songwriter and drawing comparisons to the work of artists like Patty Griffin. But just as soon as Skin and Bone arrived, Diaz was already moving forward. She and Ryan began co-writing with others, and the pair, often joined by bass player Adam Popick, started to play regularly in and around Boston. A chance meeting at a show in New York City lead Madi to her manager Ty Stiklorius (part of John Legend's management team) and in turn to a publishing deal with Cherry Lane (Ryan, too, signed with Cherry Lane).
With support from her new management and publisher, doors began to open and interest in Madi grew, especially after people saw her perform at places like the Rocky Mountain Folk Festival, WXPN Phildelphia's XPoNential Music Festival and the Living Room in New York City's Lower East Side.
Diaz and Ryan began co-writing with folks like Sarah Siskind, Garrison Starr and David Mead, and recording demos with producers Gary Paczosa (Dixie Chicks, Alison Krauss), Marshall Altman (Matt Nathanson) and Jay Joyce (Patty Griffin). Those sessions eventually spurred Diaz and Ryan to uproot from Boston and move to Nashville, where they continued to write new material and ingratiate themselves into the local scene through local gigs at The Basement and Mercy Lounge. Nashville producers, Ian Fitchuck and Justin Loucks (Landon Pigg, Griffin House, De Novo Dahl) became friends and soon collaborators, the first byproduct of which is Diaz and Ryan's new EP, Ten Gun Salute.
The sound of Ten Gun Salute might surprise those who have heard Skin and Bone, as Madi and Kyle veer off into new sonic territories. Toy pianos plink. Fat basslines oomph. Americana overtones give way to imaginative pop structures. All the while there's that amazing voice weaving through. From the simple and sublime "Heavy Heart," to the instantly memorable "Nothing At All," the evocative storytelling of "Love You Now" to the damn-near-epic title track, Ten Gun Salute finds Diaz soaring.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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