Mike Watt & Friends: May 2, 2012 Le Poisson Rouge – FLAC and MP3 Downloads + Streaming SongPosted Thu, May 24th
Friday, February 24th at Public Assembly
Artist Websites
70 N. 6th St
Brooklyn, NY 11211(718) 384-4586
Cut Hands
Cut Hands is a tribal noise project from Edinburgh, Scotland, formed in 2008 by William Bennett, the guiding force behind the recently rested Whitehouse.
Bennett will always be known first and foremost for the scummy, excoriating power electronics sound that has been Whitehouse's bread and butter since the late 1970s, but he's always explored his own highly idiosyncratic path through music. Cut Hands finds Bennett indulging his love of the African, particularly Ghanaian and Congolese, percussion that he has avidly collected over the years; its sound is an aggressive but dizzyingly psychedelic composite of machine and acoustic vaudou rhythm, carefully constructed at his home studio over the course of several years.
http://www.myspace.com/cuthands
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL [Read more]
Bennett will always be known first and foremost for the scummy, excoriating power electronics sound that has been Whitehouse's bread and butter since the late 1970s, but he's always explored his own highly idiosyncratic path through music. Cut Hands finds Bennett indulging his love of the African, particularly Ghanaian and Congolese, percussion that he has avidly collected over the years; its sound is an aggressive but dizzyingly psychedelic composite of machine and acoustic vaudou rhythm, carefully constructed at his home studio over the course of several years.
http://www.myspace.com/cuthands
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL [Read more]
Cut Hands is a tribal noise project from Edinburgh, Scotland, formed in 2008 by William Bennett, the guiding force behind the recently rested Whitehouse.
Bennett will always be known first and foremost for the scummy, excoriating power electronics sound that has been Whitehouse's bread and butter since the late 1970s, but he's always explored his own highly idiosyncratic path through music. Cut Hands finds Bennett indulging his love of the African, particularly Ghanaian and Congolese, percussion that he has avidly collected over the years; its sound is an aggressive but dizzyingly psychedelic composite of machine and acoustic vaudou rhythm, carefully constructed at his home studio over the course of several years.
http://www.myspace.com/cuthands
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Bennett will always be known first and foremost for the scummy, excoriating power electronics sound that has been Whitehouse's bread and butter since the late 1970s, but he's always explored his own highly idiosyncratic path through music. Cut Hands finds Bennett indulging his love of the African, particularly Ghanaian and Congolese, percussion that he has avidly collected over the years; its sound is an aggressive but dizzyingly psychedelic composite of machine and acoustic vaudou rhythm, carefully constructed at his home studio over the course of several years.
http://www.myspace.com/cuthands
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Xeno & Oaklander
Xeno & Oaklander is a minimal wave/synth duo from Brooklyn, New York, comprising Sean McBride (Martial Canterel, Three to Forgotten) and Miss Liz Wendelbo (Xeno and Staccato, Three to Forgotten). They began writing music in 2004 and they record their songs live in their studio and play analogue synthesizers and instruments exclusively.
Discography:
- Vigils (2006) (Xanten)
- Saracen (2009) (Wierd Records)
- Sentinelle (2009) (Wierd Records)
- Sets & Lights (2011) (Wierd Records)
Other:
- Various - Music For Ruins (2004) (Xanten)
- Wierd Compilation (2006) (Wierd Records)
- Wierd Compilation Vol.II: Analogue Electronic Music (2008) (Wierd Records)
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL [Read more]
Discography:
- Vigils (2006) (Xanten)
- Saracen (2009) (Wierd Records)
- Sentinelle (2009) (Wierd Records)
- Sets & Lights (2011) (Wierd Records)
Other:
- Various - Music For Ruins (2004) (Xanten)
- Wierd Compilation (2006) (Wierd Records)
- Wierd Compilation Vol.II: Analogue Electronic Music (2008) (Wierd Records)
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL [Read more]
Xeno & Oaklander is a minimal wave/synth duo from Brooklyn, New York, comprising Sean McBride (Martial Canterel, Three to Forgotten) and Miss Liz Wendelbo (Xeno and Staccato, Three to Forgotten). They began writing music in 2004 and they record their songs live in their studio and play analogue synthesizers and instruments exclusively.
Discography:
- Vigils (2006) (Xanten)
- Saracen (2009) (Wierd Records)
- Sentinelle (2009) (Wierd Records)
- Sets & Lights (2011) (Wierd Records)
Other:
- Various - Music For Ruins (2004) (Xanten)
- Wierd Compilation (2006) (Wierd Records)
- Wierd Compilation Vol.II: Analogue Electronic Music (2008) (Wierd Records)
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Discography:
- Vigils (2006) (Xanten)
- Saracen (2009) (Wierd Records)
- Sentinelle (2009) (Wierd Records)
- Sets & Lights (2011) (Wierd Records)
Other:
- Various - Music For Ruins (2004) (Xanten)
- Wierd Compilation (2006) (Wierd Records)
- Wierd Compilation Vol.II: Analogue Electronic Music (2008) (Wierd Records)
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Pop. 1280
Pop. 1280 are a cyberpunk band from New York City. The Grid is their first 12" release. Members include: Chris Bug, Ivan Lip, John Skultrane, and Andrew S. They got together in 2009 and have released two 7" records, the most recent being a self-released single and split 7" with Philadelphia's Hot Guts.
As dark and sinister as the Jim Thompson novel from which the band borrows their name, these nine dirges of skronky noir are the logical successor to the brand of skree practiced by forebearers the Chrome Cranks, Honeymoon Killers, and Pussy Galore, and along with contemporaries Twin Stumps, White Suns, Woman, and York Factory Complaint are ushering in a new era of punk.
Their music is all about the future that has already happened. Think Videodrome-era David Cronenberg mixed with Escape from New York-era John Carpenter. The Grid was recorded in April of 2010 in the basement of a closed Catholic School. On it are six songs using synthesizers, scrap metal, raccoon screech guitar, and samples about the freaks that inhabit The Grid. Step into it.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL [Read more]
As dark and sinister as the Jim Thompson novel from which the band borrows their name, these nine dirges of skronky noir are the logical successor to the brand of skree practiced by forebearers the Chrome Cranks, Honeymoon Killers, and Pussy Galore, and along with contemporaries Twin Stumps, White Suns, Woman, and York Factory Complaint are ushering in a new era of punk.
Their music is all about the future that has already happened. Think Videodrome-era David Cronenberg mixed with Escape from New York-era John Carpenter. The Grid was recorded in April of 2010 in the basement of a closed Catholic School. On it are six songs using synthesizers, scrap metal, raccoon screech guitar, and samples about the freaks that inhabit The Grid. Step into it.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL [Read more]
Pop. 1280 are a cyberpunk band from New York City. The Grid is their first 12" release. Members include: Chris Bug, Ivan Lip, John Skultrane, and Andrew S. They got together in 2009 and have released two 7" records, the most recent being a self-released single and split 7" with Philadelphia's Hot Guts.
As dark and sinister as the Jim Thompson novel from which the band borrows their name, these nine dirges of skronky noir are the logical successor to the brand of skree practiced by forebearers the Chrome Cranks, Honeymoon Killers, and Pussy Galore, and along with contemporaries Twin Stumps, White Suns, Woman, and York Factory Complaint are ushering in a new era of punk.
Their music is all about the future that has already happened. Think Videodrome-era David Cronenberg mixed with Escape from New York-era John Carpenter. The Grid was recorded in April of 2010 in the basement of a closed Catholic School. On it are six songs using synthesizers, scrap metal, raccoon screech guitar, and samples about the freaks that inhabit The Grid. Step into it.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
As dark and sinister as the Jim Thompson novel from which the band borrows their name, these nine dirges of skronky noir are the logical successor to the brand of skree practiced by forebearers the Chrome Cranks, Honeymoon Killers, and Pussy Galore, and along with contemporaries Twin Stumps, White Suns, Woman, and York Factory Complaint are ushering in a new era of punk.
Their music is all about the future that has already happened. Think Videodrome-era David Cronenberg mixed with Escape from New York-era John Carpenter. The Grid was recorded in April of 2010 in the basement of a closed Catholic School. On it are six songs using synthesizers, scrap metal, raccoon screech guitar, and samples about the freaks that inhabit The Grid. Step into it.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Veiled
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David E. Williams
Though he's dabbled in neo-Weimar cabaret, abrasive electronics and even film scores, David E. Williams of Phillidelphia, United States of America is best known for electro-symphonic pop and a lyrical humor so dark that it's not really funny. Some might call it gallows humor, but "gas chamber humor" is a bit more accurate for his love songs rife with murder, abuse and obscure references to eating. Williams has been described as "Barry Manilow's evil twin" (Jim Knipfel, NY Press), "Liberace with a brain tumor" (Michael Moynihan, Blood Axis) and "Andrew Lloyd Webber in the final stages of cerebral cancer" (Headpress, U.K.). In 2007, Old Europa Cafe Records released 'The Appeal of Discarded Orthodoxy', a double CD of 38 artists covering Williams' songs. Beyond his solo work, he has collaborated with a diverse spectrum of underground luminaries that includes Bleiburg (martial ambient), Deathpile (power electronics), Naevus (post punk / folk noir), Nazi UFO Commander (Neuschwabender trance), Thomas Nola (decadent music hall) and, most famously, Rozz Williams, the former Christian Death lead singer for whom Williams arranged and produced the posthu [Read more]
Though he's dabbled in neo-Weimar cabaret, abrasive electronics and even film scores, David E. Williams of Phillidelphia, United States of America is best known for electro-symphonic pop and a lyrical humor so dark that it's not really funny. Some might call it gallows humor, but "gas chamber humor" is a bit more accurate for his love songs rife with murder, abuse and obscure references to eating. Williams has been described as "Barry Manilow's evil twin" (Jim Knipfel, NY Press), "Liberace with a brain tumor" (Michael Moynihan, Blood Axis) and "Andrew Lloyd Webber in the final stages of cerebral cancer" (Headpress, U.K.). In 2007, Old Europa Cafe Records released 'The Appeal of Discarded Orthodoxy', a double CD of 38 artists covering Williams' songs. Beyond his solo work, he has collaborated with a diverse spectrum of underground luminaries that includes Bleiburg (martial ambient), Deathpile (power electronics), Naevus (post punk / folk noir), Nazi UFO Commander (Neuschwabender trance), Thomas Nola (decadent music hall) and, most famously, Rozz Williams, the former Christian Death lead singer for whom Williams arranged and produced the posthumous live CD Accept the Gift of Sin. PAYPAL purchase of all releases available at www.davidewilliams.com.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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