Mike Watt & Friends: May 2, 2012 Le Poisson Rouge – FLAC and MP3 Downloads + Streaming SongPosted Thu, May 24th
Tuesday, April 10th at Bowery Ballroom
Artist Websites
6 Delancey St
New York, NY 10002(212) 533-2111
The Jezabels
The Jezabels are a band from Sydney, New South Wales that formed in 2007.
We are a thing that came out of a few chance meetings at Sydney University. You see, Heather and Hayley had been playing music together for a while. Inevitably came the journey south from Byron - being their place of youth - to Sydney for a foray into higher education. Nik and Sam were studying at Sydney University also. And you know, for some reason you just meet people...
We don't have a manifesto as such, but we do have definite intentions in what we do. We wish to play pop, but with a recognizable element of self-awareness. We wish to be emotional, but with a sense of certainty that our audiences won't walk away thinking that we take ourselves too seriously. What is paramount is an attempt to push this thing called the culture industry in some direction which makes it more human. (I guess this is all too ambitious but oh well... We do try)
Heather studies piano at the conservatorium and reads a bit too much Russian literature. Hayley looks toward her personal canon of pop ballads for guidance in all situations and believes we must return to the way life was prior to the poker machine epidemic. Nik is a [Read more]
We are a thing that came out of a few chance meetings at Sydney University. You see, Heather and Hayley had been playing music together for a while. Inevitably came the journey south from Byron - being their place of youth - to Sydney for a foray into higher education. Nik and Sam were studying at Sydney University also. And you know, for some reason you just meet people...
We don't have a manifesto as such, but we do have definite intentions in what we do. We wish to play pop, but with a recognizable element of self-awareness. We wish to be emotional, but with a sense of certainty that our audiences won't walk away thinking that we take ourselves too seriously. What is paramount is an attempt to push this thing called the culture industry in some direction which makes it more human. (I guess this is all too ambitious but oh well... We do try)
Heather studies piano at the conservatorium and reads a bit too much Russian literature. Hayley looks toward her personal canon of pop ballads for guidance in all situations and believes we must return to the way life was prior to the poker machine epidemic. Nik is a [Read more]
The Jezabels are a band from Sydney, New South Wales that formed in 2007.
We are a thing that came out of a few chance meetings at Sydney University. You see, Heather and Hayley had been playing music together for a while. Inevitably came the journey south from Byron - being their place of youth - to Sydney for a foray into higher education. Nik and Sam were studying at Sydney University also. And you know, for some reason you just meet people...
We don't have a manifesto as such, but we do have definite intentions in what we do. We wish to play pop, but with a recognizable element of self-awareness. We wish to be emotional, but with a sense of certainty that our audiences won't walk away thinking that we take ourselves too seriously. What is paramount is an attempt to push this thing called the culture industry in some direction which makes it more human. (I guess this is all too ambitious but oh well... We do try)
Heather studies piano at the conservatorium and reads a bit too much Russian literature. Hayley looks toward her personal canon of pop ballads for guidance in all situations and believes we must return to the way life was prior to the poker machine epidemic. Nik is a science student who imbues his drumming with formulas and mathematical complexities. Sam is a country music-playing, Marx-spouting communist with a love of all things meaningfully subversive.
I guess our music derives from these things.
The Jezabels have released 3 EPs: Dark Storm (2010), The Man is Dead(2009) and She's So Hard(2009).
Their first debut album was released in September 2011 and is called Prisoner
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
We are a thing that came out of a few chance meetings at Sydney University. You see, Heather and Hayley had been playing music together for a while. Inevitably came the journey south from Byron - being their place of youth - to Sydney for a foray into higher education. Nik and Sam were studying at Sydney University also. And you know, for some reason you just meet people...
We don't have a manifesto as such, but we do have definite intentions in what we do. We wish to play pop, but with a recognizable element of self-awareness. We wish to be emotional, but with a sense of certainty that our audiences won't walk away thinking that we take ourselves too seriously. What is paramount is an attempt to push this thing called the culture industry in some direction which makes it more human. (I guess this is all too ambitious but oh well... We do try)
Heather studies piano at the conservatorium and reads a bit too much Russian literature. Hayley looks toward her personal canon of pop ballads for guidance in all situations and believes we must return to the way life was prior to the poker machine epidemic. Nik is a science student who imbues his drumming with formulas and mathematical complexities. Sam is a country music-playing, Marx-spouting communist with a love of all things meaningfully subversive.
I guess our music derives from these things.
The Jezabels have released 3 EPs: Dark Storm (2010), The Man is Dead(2009) and She's So Hard(2009).
Their first debut album was released in September 2011 and is called Prisoner
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Imagine Dragons
In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6'4" of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing "It's Time," that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release "Continued Silence EP" is an all too apt descriptor of the band's hard-earned success-but it's also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.
A third-generation Las Vegas native, Reynolds is no stranger to the adage "the house always wins," choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It's no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a [Read more]
A third-generation Las Vegas native, Reynolds is no stranger to the adage "the house always wins," choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It's no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a [Read more]
In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6'4" of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing "It's Time," that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release "Continued Silence EP" is an all too apt descriptor of the band's hard-earned success-but it's also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.
A third-generation Las Vegas native, Reynolds is no stranger to the adage "the house always wins," choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It's no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.
Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.
Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex's hip hop sensibilities and Imagine Dragons' anthemic rock is nothing short of explosive. The byproduct of this creative collision is "Continued Silence," a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.
Despite it all, on any given day when they aren't on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it's the former.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
A third-generation Las Vegas native, Reynolds is no stranger to the adage "the house always wins," choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It's no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.
Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.
Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex's hip hop sensibilities and Imagine Dragons' anthemic rock is nothing short of explosive. The byproduct of this creative collision is "Continued Silence," a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.
Despite it all, on any given day when they aren't on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it's the former.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Benjamin Francis Leftwich
Benjamin Francis Leftwich (Born September 4, 1989) is an English singer-songwriter from York. Leftwich began playing music at the age of ten and grew up listening to The Rolling Stones and Nina Simone before discovering such singer-songwriters as Nick Drake, Bob Dylan, and Elliott Smith. He decided to use his middle name as part of his stage moniker as he felt Ben Leftwich was "a bit too snappy." His debut album 'Last Smoke Before The Snowstorm' was released on July 3, 2011 in the United Kingdom.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Benjamin Francis Leftwich (Born September 4, 1989) is an English singer-songwriter from York. Leftwich began playing music at the age of ten and grew up listening to The Rolling Stones and Nina Simone before discovering such singer-songwriters as Nick Drake, Bob Dylan, and Elliott Smith. He decided to use his middle name as part of his stage moniker as he felt Ben Leftwich was "a bit too snappy." His debut album 'Last Smoke Before The Snowstorm' was released on July 3, 2011 in the United Kingdom.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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