Luther Dickinson & The Wandering: May 14, 2012 Joe’s Pub – FLAC and MP3 Downloads + Streaming SongsPosted Tue, May 22nd
Monday, April 9th at Bowery Ballroom
Artist Websites
6 Delancey St
New York, NY 10002(212) 533-2111
Emily Wells
Emily Wells creates music by blending her many influences. She is a classically trained violinist with a penchant for hip hop production. Live, Wells creates a lush layer of "symphonies" by looping and live sampling everything from her violin and voice, to her many toys and electronics. She performs both solo, and as a trio with drummer Sam Halterman and bassist Joey Reina, who also appear on her records.
Wells was born in Amarillo, TX and now resides in and tours from Los Angeles, CA. She is, however, moving back to NYC after her upcoming tour.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Wells was born in Amarillo, TX and now resides in and tours from Los Angeles, CA. She is, however, moving back to NYC after her upcoming tour.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Emily Wells creates music by blending her many influences. She is a classically trained violinist with a penchant for hip hop production. Live, Wells creates a lush layer of "symphonies" by looping and live sampling everything from her violin and voice, to her many toys and electronics. She performs both solo, and as a trio with drummer Sam Halterman and bassist Joey Reina, who also appear on her records.
Wells was born in Amarillo, TX and now resides in and tours from Los Angeles, CA. She is, however, moving back to NYC after her upcoming tour.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Wells was born in Amarillo, TX and now resides in and tours from Los Angeles, CA. She is, however, moving back to NYC after her upcoming tour.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Dan The Automator
Dan "the Automator" Nakamura is a hip-hop producer most known for his work in the mid to late 1990s and early 2000s. Nakamura's most well-known production work includes The NBA 2K7 video game soundtrack, the commercially successful Dr. Octagon project with Kool Keith, and the widely successful anime influenced trip-hop project Gorillaz. He is also renowned in underground circles for spearheading the critically acclaimed underground projects Handsome Boy Modeling School with Prince Paul; Deltron 3030 with Del tha Funkee Homosapien; Head Automatica with Daryl Palumbo and Kid Koala; and Lovage with Mike Patton and Jennifer Charles.
From San Francisco, his early 1990's debut 12" "Music To Be Murdered By" that sampled Hitchcock and was released as "The Automator" earned him radio play and a serious street rep. Nakamura became a major figure in the somewhat higher-brow rap underground that developed while mainstream hip-hop integrated its successful gangsta image with the also-popular Miami Bass party-jam style, with heavy borrowing from its ignored soul music roots. Avenues of rap which pursued more introspective, creative, and esoteric angles became [Read more]
From San Francisco, his early 1990's debut 12" "Music To Be Murdered By" that sampled Hitchcock and was released as "The Automator" earned him radio play and a serious street rep. Nakamura became a major figure in the somewhat higher-brow rap underground that developed while mainstream hip-hop integrated its successful gangsta image with the also-popular Miami Bass party-jam style, with heavy borrowing from its ignored soul music roots. Avenues of rap which pursued more introspective, creative, and esoteric angles became [Read more]
Dan "the Automator" Nakamura is a hip-hop producer most known for his work in the mid to late 1990s and early 2000s. Nakamura's most well-known production work includes The NBA 2K7 video game soundtrack, the commercially successful Dr. Octagon project with Kool Keith, and the widely successful anime influenced trip-hop project Gorillaz. He is also renowned in underground circles for spearheading the critically acclaimed underground projects Handsome Boy Modeling School with Prince Paul; Deltron 3030 with Del tha Funkee Homosapien; Head Automatica with Daryl Palumbo and Kid Koala; and Lovage with Mike Patton and Jennifer Charles.
From San Francisco, his early 1990's debut 12" "Music To Be Murdered By" that sampled Hitchcock and was released as "The Automator" earned him radio play and a serious street rep. Nakamura became a major figure in the somewhat higher-brow rap underground that developed while mainstream hip-hop integrated its successful gangsta image with the also-popular Miami Bass party-jam style, with heavy borrowing from its ignored soul music roots. Avenues of rap which pursued more introspective, creative, and esoteric angles became brushed aside, admired by fans with more eclectic musical tastes and appreciation for dense lyrical constructions and obscure or off-beat musical inspirations.
Nakamura's work tends to integrate significant amounts of overlooked 1970s and 1980s kitsch, cult classics, and B-grade 1990s television material. His work also tends to make heavy use of classical music and science fiction overtones and references, the latter with hip hop roots in the space jams of Parliament. Sci-fi also pops up in the hip hop oeuvres of RZA and Jedi Mind Tricks, among others, both in and out of collaborations with Dan the Automator.
Trained in classical violin as a child, Nakamura was more attracted to early electronica and hip-hop. After dabbling as a DJ, he gave up on the skill and instead worked on musical production, taking on small gigs until getting his major break working with Kool Keith.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
From San Francisco, his early 1990's debut 12" "Music To Be Murdered By" that sampled Hitchcock and was released as "The Automator" earned him radio play and a serious street rep. Nakamura became a major figure in the somewhat higher-brow rap underground that developed while mainstream hip-hop integrated its successful gangsta image with the also-popular Miami Bass party-jam style, with heavy borrowing from its ignored soul music roots. Avenues of rap which pursued more introspective, creative, and esoteric angles became brushed aside, admired by fans with more eclectic musical tastes and appreciation for dense lyrical constructions and obscure or off-beat musical inspirations.
Nakamura's work tends to integrate significant amounts of overlooked 1970s and 1980s kitsch, cult classics, and B-grade 1990s television material. His work also tends to make heavy use of classical music and science fiction overtones and references, the latter with hip hop roots in the space jams of Parliament. Sci-fi also pops up in the hip hop oeuvres of RZA and Jedi Mind Tricks, among others, both in and out of collaborations with Dan the Automator.
Trained in classical violin as a child, Nakamura was more attracted to early electronica and hip-hop. After dabbling as a DJ, he gave up on the skill and instead worked on musical production, taking on small gigs until getting his major break working with Kool Keith.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Live Footage
In 2008 a humble basement apartment in Brooklyn became the laboratory for the Brooklyn-based electroacoustic duo, Live Footage. Mike Thies and Topu Lyo first met at
a Halloween party, unaware that years later they would be described as some of the
finest "surrealist soundtrack composers" in the making by scoring some
of the most eclectic contemporary pieces on air, in dance and in tune
composing their own music. Conceived through the art of improvisation,
Lyo plays cello, incorporating the use of live loops and a handful of
electronics with no pre-recorded samples of any kind. Thies plays drums
and keyboards, often simultaneously. Live Footage's formula is unique:
songs are structured in such a way that enables them to actually build
loops without disaster, all while keeping the music's integrity and allowing
ample room for improvisation even when covering the likes of Jay-Z, Dr. Dre and
Squarepusher.
It is Live Footage's coherent complexity that inherently wow's new ears
away. Plain and simple, they are "cinematic, experimental, yet still catchy
and melodic."
Their first full-length independent album is already available, their
upcoming mixtape can be expected in 2011, as well a [Read more]
a Halloween party, unaware that years later they would be described as some of the
finest "surrealist soundtrack composers" in the making by scoring some
of the most eclectic contemporary pieces on air, in dance and in tune
composing their own music. Conceived through the art of improvisation,
Lyo plays cello, incorporating the use of live loops and a handful of
electronics with no pre-recorded samples of any kind. Thies plays drums
and keyboards, often simultaneously. Live Footage's formula is unique:
songs are structured in such a way that enables them to actually build
loops without disaster, all while keeping the music's integrity and allowing
ample room for improvisation even when covering the likes of Jay-Z, Dr. Dre and
Squarepusher.
It is Live Footage's coherent complexity that inherently wow's new ears
away. Plain and simple, they are "cinematic, experimental, yet still catchy
and melodic."
Their first full-length independent album is already available, their
upcoming mixtape can be expected in 2011, as well a [Read more]
In 2008 a humble basement apartment in Brooklyn became the laboratory for the Brooklyn-based electroacoustic duo, Live Footage. Mike Thies and Topu Lyo first met at
a Halloween party, unaware that years later they would be described as some of the
finest "surrealist soundtrack composers" in the making by scoring some
of the most eclectic contemporary pieces on air, in dance and in tune
composing their own music. Conceived through the art of improvisation,
Lyo plays cello, incorporating the use of live loops and a handful of
electronics with no pre-recorded samples of any kind. Thies plays drums
and keyboards, often simultaneously. Live Footage's formula is unique:
songs are structured in such a way that enables them to actually build
loops without disaster, all while keeping the music's integrity and allowing
ample room for improvisation even when covering the likes of Jay-Z, Dr. Dre and
Squarepusher.
It is Live Footage's coherent complexity that inherently wow's new ears
away. Plain and simple, they are "cinematic, experimental, yet still catchy
and melodic."
Their first full-length independent album is already available, their
upcoming mixtape can be expected in 2011, as well as a 2nd full length entitled "Willow Be".
http://www.myspace.com/livefootagebrooklyn
http://www.livefootagebrooklyn.blogspot.com/
http://www.livefootagebrooklyn.com/
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
a Halloween party, unaware that years later they would be described as some of the
finest "surrealist soundtrack composers" in the making by scoring some
of the most eclectic contemporary pieces on air, in dance and in tune
composing their own music. Conceived through the art of improvisation,
Lyo plays cello, incorporating the use of live loops and a handful of
electronics with no pre-recorded samples of any kind. Thies plays drums
and keyboards, often simultaneously. Live Footage's formula is unique:
songs are structured in such a way that enables them to actually build
loops without disaster, all while keeping the music's integrity and allowing
ample room for improvisation even when covering the likes of Jay-Z, Dr. Dre and
Squarepusher.
It is Live Footage's coherent complexity that inherently wow's new ears
away. Plain and simple, they are "cinematic, experimental, yet still catchy
and melodic."
Their first full-length independent album is already available, their
upcoming mixtape can be expected in 2011, as well as a 2nd full length entitled "Willow Be".
http://www.myspace.com/livefootagebrooklyn
http://www.livefootagebrooklyn.blogspot.com/
http://www.livefootagebrooklyn.com/
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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