Rehab is an American rock/rap group was formed during the late 1990s in Warner Robins, Georgia. Rehab has released two major albums and four other discs are in existence. In addition, they have charted two singles on the Hot Modern Rock Tracks charts, one of which - "Bartender Song" - has also become a minor Hot 100 and country hit. This song is also their higher entry on the Rock charts.

Rehab was originally formed as a trio: Steaknife, Danny Alexander, and Brooks Buford. Early on, they released their first album "To Whom It May Consume" produced by Steaknife and Brooks Buford. Soon after, Epic/Sony offered a record deal.

Rehab's major label debut, Southern Discomfort, hit stores in October 2000. With band members Danny Alexander and Brooks, hailing from the city of Warner Robins, south of Macon, Georgia (they dedicated a song to their hometown called "This Town"). Their debut album starts with a skit of them breaking out of a rehabilitation facility. The album went on to sell over 140,000 units, and produced such hits as "Sittin' At A Bar", "It Don't Matter" (Modern Rock Top 20), "Rattle My Cage", and featured such guests as Cee-Lo, Goodie Mob, Steaknife, and Cody Chestnutt.

After 2 years on the road supporting the Vans Warped Tour and playing with bands such as Linkin Park, Danny called it quits over a difference in creative view points.

On July 12, 2005, Rehab re-emerged with a new album "Graffiti the World". The new Rehab was brought together by original band member Danny "Boone" Alexander. Joining him were longtime musicians Mike Hartnett on lead guitar, Hano Leathers on bass, Chris Hood on drums, Foz on rhythm guitar, and DJ Chris Crisis. An additional and unofficial member of the group, though, by the name of Demun Jones often steps in to perform the raps that Brooks once sang. The seven put together new tracks and re-worked old classics with help from local Atlanta producer Billy Hume.

Graffiti the World features the hits "What Do you Want From Me", "Graffiti The World","Last Tattoo" and "This Town" Danny Boone(a virtual musical tour of the groups hometown beginning in the 80's).

In 2008 Rehab decided to undergo a mini-tour focused in the southeast making stops in Georgia, Alabama, Carolina, Tennessee and Florida.

Brooks Buford, after the group's initial separation, went on to record several projects, Straight Outta Rehab, which was never released due to Artista going out of business. He is currently working on a follow-up album titled "Suspicious Package" as well as a side project with Ashley Alan-Lee and Tommy Henriksen called The Audio Club. In late 2005, Brooks went on to host the MTV series Trailer Fabulous and in 2006 the MTV International series "Bustamove".

Steaknife (Denny Campbell) was scheduled to release a CD under Priority Records but was later dropped from the label. Denny has stated that he wasn't very fond of these tracks. He has released an album with friend Lindsay Few titled "Trouble The Water" which is highly religion based. Denny is currently in the studio recording his first full length studio album tentatively titled "White Noize".

The "WhiteNoize" album produced by Steaknife (Denny Campbell and Soulful-I (Jared Adair)) has been released on their myspace page under the user name of "snowblindwhitenoize". Steaknife is currently working with Danny "Boone" Alexander and Brooks Buford, the original members of Rehab on a new album scheduled to come out sometime in April, as is Soulfuli on his own solo album called "Head high"

Universal Republic Records signed the Warner Robins mash-up group in May 2008 and will be releasing the band's 2005 independent release, Graffiti The World, later in the spring with 3 additional never-before-heard tracks.

A short west coast September tour with Pop Rock and Country crossover artist Kid Rock, and a new video release of their newly titled "Bartender song" formerly known as "Sittin at a bar" which was recorded with Country Superstar Hank Williams Jr.

Their newly released video can be found posted and played on CMT's Top 20 Countdown show staring Lance Smith and can also be found on MTV's website along with the brief overview and history of the band.



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Artist Summary


Genres: Hip Hop

Label: Slumerican

Management: Freddie "Scender" Burman; Jeremy "JDot" Jones


Artist Bio

The Atlanta metropolitan area stretches on for at least 30 miles beyond the Georgia Dome and the World of Coke. Peachtree Street (conspicuously void of actual peach trees) stretches up through several counties, changing its name a number of times, confusing the tourists and the transplants. Furthest to the north of the metro area, sits Gwinnett County; sprawling and well-populated by a mix of out-of-towners hoping to indulge in a slice of that oft-mentioned American Pie: a house in a subdivision with a yard for the kids. After closer observation though, it's apparent that the suburbs of Gwinnett are the digs to many who don't fit the cookie cutter, Stepford lifestyle. The county, more frequently being referred to as the Northside, boasts both million dollar homes on golf courses as well as drug hubs in neighborhoods riddled with gang activity. The Northside, essentially, is in stark contradiction to itself. Rapper Rittz is the Northside.
Raised in Gwinnett County, Rittz embodies the same level of irony and self-conflict as his hometown. Born into a musical family, he, his twin sister and their brother had always been exposed to the inner workings of music. The fact that their parents were heavily into rock and roll ensured that the kids were always around instruments or in studios. The family moved from small-town Pennsylvania (Waynesburg) to the Atlanta outskirts when he was eight years old, and once Rittz got to junior high, his musical tastes evolved. Atlanta's booming bass and rap movement had traveled north on I-85 to get the entire metro area jumping.

More About Rittz


"When I moved here, I was introduced to rap music. When I started rapping, I was listening to any early Rap-A-Lot records, like Willie D, Geto Boys... Kilo [Ali] was like the first. So when I started at 12 years old, my early raps, I tried to rap like them," he explains, "But the early Outkast, and Goodie Mob was really the beginning of me wanting to rap and imitate them in finding my own style. Me and another guy were actually in a group called Ralo and Rittz [1995-2003], we were like the white Outkast, or we tried to be like that. I had a studio in my basement, and we put out a bunch of tapes in Gwinnett. I felt like we were one of the first, if not the first... There were only maybe one or two other people rapping in Gwinnett at the time, from '95 to 2000."
During the earlier part of the millennium though, around 2003, Rittz had hit a wall. After eight years, he and Ralo had matured in different directions. His promising buzz had led to countless disappointments. "I won Battlegrounds on Hot 107.9, got retired and shit and felt like I was 'bout to make it. But, so many industry up and downs, with managers, contracts..." He was dead broke, feeling dejected, and living with friends- ready to resign from the rap game before even taking his rightful place in it. It wasn't until 2009 when he'd randomly received a call from another flamespitter who was repping an area as under-the-radar as Gwinnett was. "I had some money behind me." Rittz says, "Everything was going good and then everything fell out, at the same time, I'm getting older, thinking it's time to hang it up. This isn't gonna happen and that's when Yelawolf put me on 'Box Chevy.' [on Yelawolf's Trunk Muzik]."
Nowadays, the rap career of Gwinnett-raised Rittz is rapidly on the rise. From his affliation with one of the hottest new rappers coming out of the South to his first mixtape, Rittz White Jesus (hilariously inspired by a friend's term of endearment), everything is coming together now, two years after he nearly lost everything. These days he's booking late night studio sessions, and still clocking in to work early the next day. "I see both sides: the regular, working class type shit and then I've also seen a lot of the street shit that goes on here, some people that are blind to that here, may never have seen it." Rittz says he's "just a normal guy who raps"- a contradiction if there ever was one- but he makes you believe, with the humility of the everyman and the talent of a superstar


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