Luther Dickinson & The Wandering: May 14, 2012 Joe’s Pub – FLAC and MP3 Downloads + Streaming SongsPosted Tue, May 22nd
Thursday, February 9th at Mercury Lounge
217 East Houston St
New York, NY 10002Snowden
Atlanta's Snowden drowns their brand of melodies in a sea of reverb heavy distortion and hypnotic layers. Anti-Anti (JT1115), the band's debut album for Jade Tree, integrates the ethereal guitar resonance and dynamic percussion reminiscent of bands like Ride, New Order and early Cure, with the volatility of contemporaries such as The Yeah Yeah Yeahs or Alec's Band. Combining a mix of tracks recorded by Erik Wofford (Octopus Project, The Black Angels) at Cacophony Recorders in Austin with tracks recorded and mixed by principal songwriter Jordan Jeffares, Anti-Anti finds Jeffares and company elevating their trademark sound into an unpredictable mix of dirty pop soundscapes. If post-shoegaze exists as a genre, then Snowden is proving their contention for the upper ranks.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Atlanta's Snowden drowns their brand of melodies in a sea of reverb heavy distortion and hypnotic layers. Anti-Anti (JT1115), the band's debut album for Jade Tree, integrates the ethereal guitar resonance and dynamic percussion reminiscent of bands like Ride, New Order and early Cure, with the volatility of contemporaries such as The Yeah Yeah Yeahs or Alec's Band. Combining a mix of tracks recorded by Erik Wofford (Octopus Project, The Black Angels) at Cacophony Recorders in Austin with tracks recorded and mixed by principal songwriter Jordan Jeffares, Anti-Anti finds Jeffares and company elevating their trademark sound into an unpredictable mix of dirty pop soundscapes. If post-shoegaze exists as a genre, then Snowden is proving their contention for the upper ranks.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Writer
WRITER is Andy & James Ralph
www.writertheband.com
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
www.writertheband.com
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
WRITER is Andy & James Ralph
www.writertheband.com
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
www.writertheband.com
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Fan-Tan
Fan-Tan formed in the fall of 2006 in Chapel Hill, North Carolina when Kuki and Sandee Kooks met Ryan Lee Dunlap and began making music that parted stylistically from the 90s alt rock sound so abundant in the area, and drew more from British post-punk to new wave. After a few months of recording demos and playing shows around the area, the trio decided to move the project and themselves to New York where they incorporated the unique synth sounds of fellow North Carolinian and circuit-bender Mike Walters, who had also recently relocated. It is here where ultimately the sound of Fan-Tan would take shape. Over the next two years the band played venues all over New York, toured the east coast, and began recording their second EP with Arjun Agerwala at James Iha's Stratosphere Sound Studio in Chelsea. The results of those sessions, entitled "The Age of Discover" will be released on March 26th, 2010, followed by a US tour in May.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
Fan-Tan formed in the fall of 2006 in Chapel Hill, North Carolina when Kuki and Sandee Kooks met Ryan Lee Dunlap and began making music that parted stylistically from the 90s alt rock sound so abundant in the area, and drew more from British post-punk to new wave. After a few months of recording demos and playing shows around the area, the trio decided to move the project and themselves to New York where they incorporated the unique synth sounds of fellow North Carolinian and circuit-bender Mike Walters, who had also recently relocated. It is here where ultimately the sound of Fan-Tan would take shape. Over the next two years the band played venues all over New York, toured the east coast, and began recording their second EP with Arjun Agerwala at James Iha's Stratosphere Sound Studio in Chelsea. The results of those sessions, entitled "The Age of Discover" will be released on March 26th, 2010, followed by a US tour in May.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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