Zola Jesus is the stage name of Russian-American singer-songwriter Nika Roza Danilova (born 11 April 1989 in Phoenix, Arizona and raised in Merrill, Wisconsin). Her music style combines electronic, industrial, classical, goth, and experimental rock influences.

Nika Roza Danilova was raised in Merrill, Wisconsin, on over 100 acres of forest. Danilova started singing early on, buying voice lesson tapes and opera sheet music at the age of 7; soon she began working with a vocal coach. It was not her parents' idea: "I begged them to do it. For some reason, I really wanted to sing opera even though I wasn't really exposed to it as a kid. I think my little baby toddler mind heard some opera song and then became fixated on how powerful it sounded," she later remembered. Danilova started performing opera when she was 10 years old, but experienced serious psychological difficulties. "I would too often lose my voice before performances due to anxiety, and was so hard on myself. I would beat myself up about any imperfections or flaws in my voice. I was such a perfectionist, and my voice was still so young so it couldn't do everything I wanted it to, and I resented myself for that. But since performing as Zola Jesus it's been getting easier," she later recalled.

In her teens Danilova started to experiment in a more rock-orientated format. By naming her alter ego after Jesus Christ and the French writer Émile Zola she said she consciously wanted to alienate peers. "It worked perfectly - a lot of people wouldn't even say Zola Jesus because they thought it was sacrilegious", she said in an interview. "Using Jesus in my name isn't necessarily supposed to be a strong statement. I respect religion and I know people do need it, but it's a weird phenomenon in our world. It's so weird," she later commented. Inspired by favorites like Ian Curtis, Lydia Lunch, Diamanda Galás, Throbbing Gristle and Swans (but also bubblegum pop and classical aria), she started to record at home, using keyboards, drum machines and "anything else she had on hand". In 2008 she debuted with singles "Poor Sons" on Die Stasi and "Soeur Sewer" on Sacred Bones Records.

In 2009, while still studying at the University of Wisconsin-Madison, Zola Jesus recorded (in her apartment) and released her debut full-length album The Spoils. The sound was in a certain way dependent on her surroundings. "I usually record in the winter because I am holed up. It's cold outside but warm inside with the heater and blankets. A lot of the songs are cold but in the coldness you find warmth. Winter has a lot to do with it.

Zola Jesus released an EP titled Stridulum in 2010, described as her most melodic work to date. Inspired by the Giulio Paradisi 1979 film of the same name, it marked "a huge leap forward in terms of fidelity and accessibility." After the release Zola Jesus performed at the SXSW festival, for her second time. Her second full-length album Stridulum II, which was an extension of the EP regarded as a debut in the UK, received 8/10 from NME which praised Danilova's classically trained voice as "the deadliest weapon in her arsenal" and called the album a "dark masterpiece."

Zola Jesus' third full-length Conatus was released in late September 2011 via Sacred Bones. The album's 11 tracks were produced by Brian Foote (aka Nudge; Jackie-O Motherfucker, Cloudland Canyon) and Danilova herself, including elements of cello, double bass, violin, and viola.

Zola Jesus has played with Former Ghosts and toured in support of Fever Ray and The xx. She also provides guest vocals on "New France" from their 2012 album Wonky.

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There are two bands called Liturgy:

1. Liturgy are a "black metal" band from Brooklyn, New York. Originally the solo project of Hunter Hunt-Hendrix, the band expanded to a four piece in 2008, after the release of the 12" Immortal Life, which was followed in 2009 with their debut album Renihilation. The group call their style "transcendental black metal",which is described in a declaration written by Hunt-Hendrix. Their second LP, titled Aesthethica, came out in May 2011. Hunter was also previously a member of screamo group birthday boyz and Holy Wars (http://www.myspace.com/theholywars).

2. Liturgy are a brutal death metal band from the United States. They formed in 2003 by Matti Way (Vocals, ex-Disgorge (US), ex-Cinerary) and Jamie Bailey (Bass also with Brodequin and ex-Cinerary). Jamie's brother Mike Bailey (Guitar also with Brodequin) and his friend Jon Engman (Drums, ex-Brodequin, Foetopsy) joined and the line-up was complete. The band has released "Dawn of Ash" in 2004 by the label Unmatched Brutality and are currently working on material for their second full length entitled "The Genesis Race".


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Formed in 2007, Brooklyn, New York, United States duo Talk Normal have already been compared to 1970s no wave. Indeed, the scratchy guitars of their debut mini-album Secret Cog evoke the mangled bursts of DNA's Arto Lindsay, and their spilling songs reach the structured abstraction of No Wave's most unclassifiable group, Ut.

A lot of other rock history comes into play. The clipped tension that connects Sonic Youth, Pylon and Erase Errata comes through in the chiming chords and sharp rhythms of "Eureka" and "Lemonade". Unlike with those groups, there's not much to dance to here. Their grinding, ghostly music lurches more than it swings and churns more that it grooves. But guitarist Sarah Register and drummer Andrya Ambro continually build tension, imbuing cacophonous climaxes and quiet interludes with equal momentum.

Ultimately, Talk Normal belong to the Brooklyn Noise-rock circle inhabited by groups like Mouthus, Religious Knives and Sightings. The latter's Richard Hoffman plays bass on standout track "33", trading call and response notes with Ambro, then spitting out a signature bass loop under rolling drums and disembodied moans. Despite its taut energy, the piece has a spacious, soothing quality, suggesting that Register and Ambro might eventually explore more openly melodic territory. But hopefully the duo won't lose the devotion to hypnotic repetition that makes Secret Cog worth returning to.

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