Luther Dickinson & The Wandering: May 14, 2012 Joe’s Pub – FLAC and MP3 Downloads + Streaming SongsPosted Tue, May 22nd
Saturday, March 17th at Merkin Concert Hall
129 W 67th St
New York, NY 10023(212) 501-3330
Oneida
Oneida is an experimental rock band from Brooklyn, New York. Their influences include psychedelic rock, krautrock, electronic, and noise rock, but the overall structure and intent of their music cannot be easily traced to any of these styles, or the myriad other styles they have drawn upon in recordings.
The most striking and consistent aspect of Oneida's music is their use of and fascination with repetition. Their 2002 LP, Each One Teach One, for instance, begins with two especially long tracks, Sheets of Easter and Antibiotics, the former over fourteen minutes long, the latter more than sixteen. Both of these songs are composed of one repeated riff (with a few short interludes on Antibiotics). In addition to the use of repetition Oneida's music can be distinguished by the bandmember's extensive use of and enthusiasm for antique keyboards and analog electric pianos.
Originally recording on Turnbuckle Records (their first two albums in 1997 and 1999), the band now runs Brah Records, an imprint of Jagjaguwar (Jagjaguwar group at Last.fm). In September 2007 the group celebrated 10 years of existence with a concert at the P.S. 1 Contemporary Art Center in NYC.
The current lineup i [Read more]
The most striking and consistent aspect of Oneida's music is their use of and fascination with repetition. Their 2002 LP, Each One Teach One, for instance, begins with two especially long tracks, Sheets of Easter and Antibiotics, the former over fourteen minutes long, the latter more than sixteen. Both of these songs are composed of one repeated riff (with a few short interludes on Antibiotics). In addition to the use of repetition Oneida's music can be distinguished by the bandmember's extensive use of and enthusiasm for antique keyboards and analog electric pianos.
Originally recording on Turnbuckle Records (their first two albums in 1997 and 1999), the band now runs Brah Records, an imprint of Jagjaguwar (Jagjaguwar group at Last.fm). In September 2007 the group celebrated 10 years of existence with a concert at the P.S. 1 Contemporary Art Center in NYC.
The current lineup i [Read more]
Oneida is an experimental rock band from Brooklyn, New York. Their influences include psychedelic rock, krautrock, electronic, and noise rock, but the overall structure and intent of their music cannot be easily traced to any of these styles, or the myriad other styles they have drawn upon in recordings.
The most striking and consistent aspect of Oneida's music is their use of and fascination with repetition. Their 2002 LP, Each One Teach One, for instance, begins with two especially long tracks, Sheets of Easter and Antibiotics, the former over fourteen minutes long, the latter more than sixteen. Both of these songs are composed of one repeated riff (with a few short interludes on Antibiotics). In addition to the use of repetition Oneida's music can be distinguished by the bandmember's extensive use of and enthusiasm for antique keyboards and analog electric pianos.
Originally recording on Turnbuckle Records (their first two albums in 1997 and 1999), the band now runs Brah Records, an imprint of Jagjaguwar (Jagjaguwar group at Last.fm). In September 2007 the group celebrated 10 years of existence with a concert at the P.S. 1 Contemporary Art Center in NYC.
The current lineup is:
* Kid Millions - drums, vocals participated as drummer 53 in the Boredoms 77 Boadrum performance which occurred on July 7th, 2007 at the Empire-Fulton Ferry State Park in Brooklyn, New York
* Bobby Matador - organ, guitar, vocals
* Hanoi Jane - guitar, bass
* Double Rainbow (aka Phil Manley of Trans Am and The Fucking Champs) - guitar
* Shahin Motia (of Ex Models) - guitar
Papa Crazy (aka PCRZ) of Oakley Hall is a former member of Oneida, and has revived connections with Oneida by recording OH's most recent album Gypsum Strings on Oneida's Brah Records label.
http://www.enemyhogs.com/site/
http://www.myspace.com/oneidarocks
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
The most striking and consistent aspect of Oneida's music is their use of and fascination with repetition. Their 2002 LP, Each One Teach One, for instance, begins with two especially long tracks, Sheets of Easter and Antibiotics, the former over fourteen minutes long, the latter more than sixteen. Both of these songs are composed of one repeated riff (with a few short interludes on Antibiotics). In addition to the use of repetition Oneida's music can be distinguished by the bandmember's extensive use of and enthusiasm for antique keyboards and analog electric pianos.
Originally recording on Turnbuckle Records (their first two albums in 1997 and 1999), the band now runs Brah Records, an imprint of Jagjaguwar (Jagjaguwar group at Last.fm). In September 2007 the group celebrated 10 years of existence with a concert at the P.S. 1 Contemporary Art Center in NYC.
The current lineup is:
* Kid Millions - drums, vocals participated as drummer 53 in the Boredoms 77 Boadrum performance which occurred on July 7th, 2007 at the Empire-Fulton Ferry State Park in Brooklyn, New York
* Bobby Matador - organ, guitar, vocals
* Hanoi Jane - guitar, bass
* Double Rainbow (aka Phil Manley of Trans Am and The Fucking Champs) - guitar
* Shahin Motia (of Ex Models) - guitar
Papa Crazy (aka PCRZ) of Oakley Hall is a former member of Oneida, and has revived connections with Oneida by recording OH's most recent album Gypsum Strings on Oneida's Brah Records label.
http://www.enemyhogs.com/site/
http://www.myspace.com/oneidarocks
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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Rhys Chatham
Rhys Chatham (b. New York City) is an American avant-garde composer, guitarist, and trumpet player. He currently lives in France.
In the early 1970s Chatham was the first music director of The Kitchen in New York. His early compositions owed a significant debt to La Monte Young and other minimalists.
His concert productions included experimenters Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Pauline Oliveros, Steve Reich, and early alternative-rockers such as Brian Eno, Robert Fripp and Fred Frith.
By 1977, Chatham's music was heavily influenced by punk rock (having seen an early Ramones concert), particularly what would come to be named No Wave (influenced in the minimalist leanings of Tony Conrad, who he played with in an early group). That year, he began performing Guitar Trio around downtown Manhattan with an ensemble that included Glenn Branca. During this period he wrote several works for large guitar ensembles, including Drastic Classicism, a collaboration with dancer Karole Armitage.
Chatham began taking trumpet lessons in 1983, and his more recent works explore improvisatory trumpet solos (performed by the composer, employing much of the same amplificat [Read more]
In the early 1970s Chatham was the first music director of The Kitchen in New York. His early compositions owed a significant debt to La Monte Young and other minimalists.
His concert productions included experimenters Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Pauline Oliveros, Steve Reich, and early alternative-rockers such as Brian Eno, Robert Fripp and Fred Frith.
By 1977, Chatham's music was heavily influenced by punk rock (having seen an early Ramones concert), particularly what would come to be named No Wave (influenced in the minimalist leanings of Tony Conrad, who he played with in an early group). That year, he began performing Guitar Trio around downtown Manhattan with an ensemble that included Glenn Branca. During this period he wrote several works for large guitar ensembles, including Drastic Classicism, a collaboration with dancer Karole Armitage.
Chatham began taking trumpet lessons in 1983, and his more recent works explore improvisatory trumpet solos (performed by the composer, employing much of the same amplificat [Read more]
Rhys Chatham (b. New York City) is an American avant-garde composer, guitarist, and trumpet player. He currently lives in France.
In the early 1970s Chatham was the first music director of The Kitchen in New York. His early compositions owed a significant debt to La Monte Young and other minimalists.
His concert productions included experimenters Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Pauline Oliveros, Steve Reich, and early alternative-rockers such as Brian Eno, Robert Fripp and Fred Frith.
By 1977, Chatham's music was heavily influenced by punk rock (having seen an early Ramones concert), particularly what would come to be named No Wave (influenced in the minimalist leanings of Tony Conrad, who he played with in an early group). That year, he began performing Guitar Trio around downtown Manhattan with an ensemble that included Glenn Branca. During this period he wrote several works for large guitar ensembles, including Drastic Classicism, a collaboration with dancer Karole Armitage.
Chatham began taking trumpet lessons in 1983, and his more recent works explore improvisatory trumpet solos (performed by the composer, employing much of the same amplification and effects that he acquired with the guitar) over synthesized dance rhythms by the composer Martin Wheeler, released on ninja tunes in the late nineties. In 2002, he enjoyed a resurgence following the release of the boxed set An Angel Moves Too Fast to See, whose title comes from Chatham's composition for 100 guitars.
In 2005, he was commissioned by the City of Paris to write a composition for 400 electric guitars entitled "Crimson Grail" as part of the Nuit Blanche Festival. A CD release of this composition is planned for February 2006 by The Table of the Elements Records.
(source - wikipedia)
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
In the early 1970s Chatham was the first music director of The Kitchen in New York. His early compositions owed a significant debt to La Monte Young and other minimalists.
His concert productions included experimenters Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Pauline Oliveros, Steve Reich, and early alternative-rockers such as Brian Eno, Robert Fripp and Fred Frith.
By 1977, Chatham's music was heavily influenced by punk rock (having seen an early Ramones concert), particularly what would come to be named No Wave (influenced in the minimalist leanings of Tony Conrad, who he played with in an early group). That year, he began performing Guitar Trio around downtown Manhattan with an ensemble that included Glenn Branca. During this period he wrote several works for large guitar ensembles, including Drastic Classicism, a collaboration with dancer Karole Armitage.
Chatham began taking trumpet lessons in 1983, and his more recent works explore improvisatory trumpet solos (performed by the composer, employing much of the same amplification and effects that he acquired with the guitar) over synthesized dance rhythms by the composer Martin Wheeler, released on ninja tunes in the late nineties. In 2002, he enjoyed a resurgence following the release of the boxed set An Angel Moves Too Fast to See, whose title comes from Chatham's composition for 100 guitars.
In 2005, he was commissioned by the City of Paris to write a composition for 400 electric guitars entitled "Crimson Grail" as part of the Nuit Blanche Festival. A CD release of this composition is planned for February 2006 by The Table of the Elements Records.
(source - wikipedia)
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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