Overkill is an American thrash metal band formed in 1980 in New Jersey. The band has been active since 1984, releasing 16 studio albums, 2 EPs, 2 live albums and a "covers" album. The band also has a notable mascot (named Chaly), a skeletal bat with a skull-like face, bony wings, and green eyes. It has appeared on most of their album covers. Overkill has gone through many line-up changes, with singer Bobby "Blitz" Ellsworth and bassist D.D. Verni remaining the only consistent members. Along with Anthrax the band is one of the most successful East coast thrash metal bands.

Overkill was formed in 1980 from the ashes of the punk band "The Lubricunts", featuring Rat Skates and D.D. Verni (real names Lee Kundrat and Carlo Verni). Verni and Skates placed an ad looking for a guitarist and singer which was answered by singer Bobby Ellsworth and the first incarnation of Overkill was formed. After rejecting several names, including "Virgin Killer", the band finally settled on Overkill. Early covers, especially those done under the "Virgin Killers" name, were punk songs by The Ramones, The Dead Boys and others. By late 1980, the band had recruited two guitarists, and the setlist was made up of songs by bands such as Motörhead ("Overkill", half of the Ace of Spades album), Judas Priest ('Tyrant' was their closer), and Riot. Along with the new influx of heavy metal covers, the band still played a smattering of punk covers, with extra distortion, intensity, and speed, marking Overkill as one of the first thrash metal bands.

In 1981, guitarists Rich Conte and Bobby Gustafson joined the band. At this point, the band started writing original songs, including "Grave Robbers" (later renamed "Raise The Dead"), "Overkill", and "Unleash The Beast (Within)". More songs would follow, including "Death Rider" (1981) and "Rotten To The Core" (1982). In 1983 Conte left and Bobby Gustafson remained as the sole guitarist. The band became a staple at New York and New Jersey clubs, such as L'Amours. Verni gave Ellsworth the nickname "Blitz" due to his over-the-top lifestyle, a lifestyle that once earned Ellsworth an ejection from the band for a few days in 1983. Around this time, the classic green logo was adopted, which Rat Skates specifically designed to stand out on a poster loaded with red and black logos of the other bands on the bill.

In 1983, the lineup of Rat Skates, D.D. Verni, Bobby Gustafson and Bobby Blitz, released the Power In Black demo, a recording that made as much impact in the underground tape trading circuit as demos by up-and-coming Bay area thrash bands like Exodus and Testament. Power In Black gained the band two compilation appearances, 'Feel The Fire' was included on "New York Metal '84" and 'Death Rider' appeared on volume V of the legendary Metal Massacre series. The band was also able to secure a small recording deal with Azra/Metal Storm Records that resulted in the 1984 four track EP Overkill, that quickly sold out, instantly pushing the band to the forefront of the fledgling thrash metal movement. Though it is said that the band never saw any money from the release, the Overkill EP garnered the band massive underground interest, and the attention of Jon Zazula, the owner of Megaforce Records, one of the most prominent independent heavy metal record labels at the time. Megaforce signed Overkill to a new multi-album record contract and released their full length debut album Feel The Fire in 1985. Hailed by many critics and fans as a thrash metal masterpiece, the album cemented the band's position as one of the driving forces of the east coast thrash movement. The band spent the better part of 1985 and 1986 touring in support of Feel The Fire, beginning as support act for Megadeth's "Peace Sells" US tour and later in Europe with Anthrax and Agent Steel.

1987 marked the release of Overkill's second album Taking Over, the first to be released by Megaforce in cooperation with the major label Atlantic Records. The album featured improved song writing and production and had a somewhat more epic style, showcased in such songs as the anthemic "In Union We Stand". The song was chosen to be Overkill's first music video, used to promote the band through the booming new medium of music television. Another European tour followed, this time opening for Helloween.

Late in 1987, the !!!Fuck You!!! EP was released, consisting of a studio recording of 'Fuck You as well as a handful of live tracks recorded earlier that year in Cleveland. 1987 also saw the departure of drummer Rat Skates. He was replaced by Mark Archibole for a few gigs, then on a permanent basis by European drummer Bob "Sid" Falck previously of Paul Di'Anno's Battlezone.

Overkill released the follow-up to Taking Over, the aptly titled Under the Influence, in 1988. Once again produced by Alex Perialas, Under the Influence was much more raw and thrashy, lacking most of the grand and epic atmosphere of its predecessor. Suffering from rushed writing and production, the album is often regarded as a snapshot and a step backwards for the band. The song "Hello From The Gutter" was released as a single, and the music video gained regular airplay on MTV's Headbangers Ball. Overkill kept up constant touring all over the world, furthering their reputation as one of the most active live metal bands.

Overkill released their breakthrough album The Years of Decay in 1989. It was recorded with famed producer Terry Date (Pantera, White Zombie, Soundgarden) and featured the band's best production to date. It mixed the raw approach of "Under The Influence" with more complex song structures and epic elements, resulting in a more serious atmosphere and longer songs, including the eight minute title track and the ten minute "Playing With Spiders/Skullkrusher." The uptempo thrasher "Elimination" was released as a single and the music video again received regular airplay on MTV's Headbangers Ball. The song became a fan favorite and would be played live at every show, even 20 years later. Live support of The Years of Decay took place, in part, on a tour called "Dawn Of The Decade" together with label mates Testament.

In 1990, guitarist and songwriter Bobby Gustafson left the band. Verni and Gustafson had long locked horns over the direction of the band, and in the end Blitz sided with Verni, asking Gustafson to leave Overkill. The remaining members added two new guitarists to the band; Rob Cannavino who had been Gustafson's guitar technician, and Merritt Gant, from the New Jersey thrash band Faith Or Fear.

The 'new' Overkill recorded their fifth album Horrorscope, again with Terry Date, in 1991. Featuring the furious riffs and trade-off solos of new guitarists Cannavino and Gant, and the refined songwriting of Verni and Ellsworth, Horrorscope quickly silenced fan fears that the loss of a chief songwriter would ruin the band. Today, the album is widely regarded as one of the Overkill's defining moments and is arguably their heaviest release. Focusing on a darker, heavier style, the album spawned the doomy single "Horrorscope", a departure from the band's earlier singles, which had traditionally been uptempo songs. The band continued to tour constantly, fully cementing their reputation as one of the premier live bands of the genre.

In 1992, during the Horrorscope tour, Sid Falck left the band. Admittedly never a big fan of thrash metal music, Sid said that he had initially wanted to push his drumming to the limit by playing the most complex type of music (of the era), and in time he decided to pursue other musical interests.

Sid was replaced by M.O.D. drummer Tim Mallare, with whom the 1993 album I Hear Black was recorded. Produced by Alex Perialas (who by now had worked with Anthrax and Testament), I Hear Black was the first Overkill album released directly through Atlantic Records. The album once again presented a change in style, from the heavy thrash of Horrorscope to a more Stoner song oriented style influenced by Black Sabbath and Blues. The eclectic nature of the album is often attributed to the fact that many different song writers were involved. Verni and Ellsworth would handle most of the song writing themselves on subsequent albums, with only minor contributions from the other members. A music video was shot for "Spiritual Void" but failed to receive much airplay. The European leg of the 1993 "World Of Hurt Tour" featured Savatage and Non-Fiction as support acts.

Overkill's self-produced seventh album W.F.O. (which stands for "Wide Fuckin' Open", a common biker term) was released in September 1994 as an answer to the criticism that I Hear Black had received. The album presented a fast, heads-down, old school thrash metal style without any of the experimental elements present on the previous record. The music video for "Fast Junkie" was widely ignored by MTV, due to changing mainstream tastes and limited airplay availability for metal bands. Overkill continued to have bigger success overseas, mounting an extensive European tour in the fall, supported by Jag Panzer and Massacra.

With Grunge dominating the airwaves in the US, and many heavy metal radio stations changing formats, W.F.O. failed to find an audience and in 1995 Overkill was dropped by Atlantic Records. Overkill were happy to be let go from the mainstream label, where they felt they received little or no attention and signed to different record companies around the world (CMC International in the US).

A March 1995 show, once again in Cleveland, Ohio, was recorded for Overkill's first full-length live album, a 100-minute double CD entitled Wrecking Your Neck. The album was released in April 1995, with the first pressing featuring a bonus CD containing the Overkill EP that had been out of print for ten years. A music video for the song "Bastard Nation" taken from Wrecking Your Neck was also released, but again failed to receive airplay in the US.

Late in 1995, both Cannavino and Gant decided to leave the band; Rob Cannavino to focus on motorcycle racing, and Merritt Gant to spend more time with his family. To everyone's surprise, Overkill then hired Joe Comeau, former singer of Liege Lord (now playing guitar). Comeau brought along former Anvil guitarist Sebastian Marino, with whom he had worked with in the past. The new line up recorded The Killing Kind in 1996, again self-produced and mixed by Chris Tsangarides (Judas Priest). While staying well within the thrash genre, the album was a departure from its predecessor's more traditional thrash metal style and featured many modern elements, such as Hardcore elements, while the vocals showed influences from a broad spectrum of music. As Comeau was also a singer, backing vocals on The Killing Kind and subsequent albums were more elaborate and frequent than before, adding another new element to the band's sound. Press response to The Killing Kind was very positive, but the album remains a hotly contested topic among the band's audience, with some longtime fans resistant to the new modern elements, and others hailing The Killing Kind as one of the band's finest moments.

Overkill toured Europe twice in support of The Killing Kind first in February 1996 with Megora and Accu§er, and then again in November with Anvil and Stahlhammer. In the summer of 1996, Overkill appeared on Volume 2 of Century Media's "Legends Of Metal - A Tribute To Judas Priest" compilation, to which they contributed 'Tyrant', heavily adapted to the band's own style.

In summer 1997, the band released !!!Fuck You!!! and Then Some. The album included the !!!Fuck You!!! EP, which had been out of print for some years, along with the classic Overkill EP and two live tracks from a 1990 promo single. October of the same year saw the release of the ninth Overkill studio album, titled From The Underground And Below. This record retained some of the modern influences from The Killing Kind, while also reincorporating elements from the band's earlier efforts. Some songs on From The Underground And Below, including "Save Me", even had a slight industrial metal sound to them. Reportedly a video for the track "Long Time Dyin'" was shot, but due to the non-existence of metal in the mainstream media at the time, it is unlikely that the video has ever aired on television. Again Overkill opted to only tour Europe in support of the album, which took place in May 1998, with Nevermore, Angel Dust and Nocturnal Rites.

In 1998, Blitz was diagnosed with a very aggressive form of nose cancer and underwent immediate surgery, thankfully in time to catch the cancer before it spread. After his recovery, the band started work on their tenth studio album, and the self produced Necroshine was released in February 1999, making Overkill the very first thrash metal band ever to release ten full-length studio albums (Other first wave thrash bands, such as Sodom or Kreator would not achieve this milestone until two years later). While once again quite different from the previous records and musically not considered "classic" Overkill, the album was vocally even more experimental than The Killing Kind, and was well received by fans and critics alike.

Soon after the release of Necroshine, Sebastian Marino left Overkill to spend more time with his family. He was replaced by Dave Linsk from the New Jersey hardcore/thrash metal band Anger On Anger. A two-week European trip in June was arranged to fill the gap between appearances at the Dynamo and With Full Force festivals.

September 1999 saw the release of Coverkill, an album consisting entirely of cover versions from bands that were especially influential to Overkill, such as Black Sabbath (featured no less than three times), Kiss, Motörhead, Manowar, and The Ramones. Some of the tracks had been previously available on compilations or as Japanese bonus tracks, but others had been shelved for years (the earliest recording was from the Under the Influence sessions) or were recorded immediately prior to the album's release. A full European tour in support of both Necroshine and Coverkill took place in February 2000, as Overkill co-headlined with Canadian thrash metal band Annihilator, with the German band Dew-Scented in the opening slot.

During the European tour, Annihilator fired their singer Randy Rampage due to his disruptive behavior. A few months later, Overkill's Joe Comeau was confirmed as his replacement, effectively ending his tenure with the band. Overkill returned to the studio, this time as a four piece, and in the fall of 2000 released Bloodletting. Once again produced by the band, and mixed this time by Colin Richardson.

November of the same year saw the band again touring Europe as a special guest of Halford's "Resurrection" world tour. Since Overkill had not found a new second guitarist yet, Joe Comeau joined on a temporary basis for the tour. For the last couple of shows, the band also utilized another session musician. With D.D. Verni's wife about to give birth to their second child, D.D. was replaced temporarily by Derek "The Skull" Tailer, the bass player in Dee Snider's band S.M.F. In early 2001, Tailer was announced as a permanent member of Overkill, although not on bass guitar, but filling the vacant spot on guitar.

After taking a break, Overkill resurfaced in 2002 with Wrecking Everything, their second full-length live album, recorded at the Paramount Theatre in Asbury Park, New Jersey. The album contained only songs that had not been on Wrecking Your Neck, some simply because they were released on later albums, but also a few early songs from albums such as Taking Over and Under the Influence. The same show was used for Overkill's first ever DVD, Wrecking Everything - An Evening In Asbury Park, also released in 2002.

The European tour in June 2002, supporting both Bloodletting. and Wrecking Everything saw Blaze and Wicked Mystic opening up for Overkill. During the second to last show of the tour in Nuremberg, Germany, Blitz suffered a stroke on stage and collapsed. For nearly three days, rumors ran rampant, reporting everything from Blitz being in a coma, permanently paralyzed, or even that Blitz had died. Finally, three days later, the band announced that the stroke was very minor and had no lasting consequences, as well as no cause that could be determined by the doctors.

Overkill entered the studio in late 2002 to record their next studio album, Killbox 13. Produced by the band and Colin Richardson and released in March 2003, the album was actually only their twelfth regular studio album, but the Overkill EP was also counted to achieve the number 13. The album received critical acclaim, combining the "new" Overkill with their raw early style as presented on the debut album Feel The Fire. Touring for the album included a number of European festivals during the summer, and a full European tour followed in November with Seven Witches and After All. The band played without Derek Tailer, who was absent for undisclosed reasons. Nobody was hired to fill in for him, so Overkill toured as a four-piece for the first time since 1990. Tailer was still considered a full member of the band.

In late 2004, after a Japanese tour with Death Angel and Flotsam and Jetsam, the band started work on another record in D.D. Verni's own recording studio. The album, ReliXIV, was produced and mixed by the band themselves and released in March 2005.

Overkill toured the eastern US in April 2005, and just before they went on a European tour in May, it was announced that Tim Mallare would not take part in this tour; replacing him was former Hades drummer Ron Lipnicki. A few weeks later, the band announced that Mallare had left the band on a permanent basis and Lipnicki was his replacement. In the summer of 2005, Overkill organized their first US west coast tour in more than ten years, playing Western Canada to Southern California. The tour was such a success that the band was added to the 2006 Gigantour bill, as second stage headliners, marking Overkill's first nationwide US tour since 1994.

Now with Bodog Music, the band rejoined forces with Jonny and Marsha Zazula, previous owners of Megaforce Records, who are now part of the Bodog Team in the United States. Overkill unleashed its 15th studio album, Immortalis, on October 9, 2007. The album featured Overkill's latest lineup, which, along with founders Bobby "Blitz" Ellsworth and D.D. Verni, includes guitarists Derek Tailer and Dave Linsk, as well as the newest member to join the band, drummer Ron Lipnicki. Lamb Of God vocalist Randy Blythe contributed vocals on the song "Skull And Bones".

On October 30, 2009, it was reported that Overkill had inked a multi-album deal with Nuclear Blast Records. The band's next album, Ironbound - which is described as a true "thrasher-piece" - is scheduled for release on January 29, 2010.


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Dirty Rotten Imbeciles (also known as D.R.I.) are a United States crossover thrash band that formed in Houston, Texas, in 1982. The band currently comprises founding members, vocalist Kurt Brecht and guitarist Spike Cassidy, as well as drummer Rob Rampy and bassist Harald Oimoen. D.R.I. never gained a mainstream audience, but the integration of their hardcore punk roots with thrash metal influences was a stylistic catalyst for their contemporaries-most notably Suicidal Tendencies, Corrosion Of Conformity, and S.O.D.-alongside whom they are considered pioneers of what would later be called "crossover thrash." This subgenre was also coined from their 1987 album Crossover. To date, D.R.I. have released seven original studio albums, of which the last was released in 1995. Since then, the band has continued touring and intermittently going on hiatus. In 2004, D.R.I. released a web-only demo track "Against Me", their first recording in a decade. For years, there has been talk of an eighth D.R.I. album, which has yet to materialize.

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Belphegor is an Austrian death/black metal band from Salzburg, Austria, originally formed in 1991 under the name Betrayer before changing their name in 1993. They are named after the demon Belphegor.

Belphegor was founded as Betrayer in 1991 by vocalist and bassist Maxx, guitarists Helmuth and Sigurd, and drummer Chris. The band released their first demo Kruzifixion in April 1991, and Unborn Blood later on.[1] After adopting the name Belphegor in 1993, they released another demo, Bloodbath in Paradise on Maxi-CD format. At somepoint before or after the release of this demo, Maxx departed from the band, resulting in Helmuth assuming his role as both vocalist and guitarist of Belphegor since. In between 1993 and 1996 session member A-X performed bass, after which bassist Mario "Marius" Klausner joined the band as a full-time member.
The band was briefly signed to Perverted Taste Records, the label on which the demo Obscure and Deep was released in 1994. This release featured a cover of the Black Sabbath song Sabbath Bloody Sabbath. Their first album, The Last Supper, was released by Lethal Records in January 1995. At this time the band's logo was also redesigned to include two inverted crosses surrounded by blood.

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Aborted is a death metal band that originates from Belgium. They formed in 1995 by vocalist Sven De Caluwé, drummer Steven, bassist Koen and guitarist Niek. A second guitarist Christophe augmented the band in 1997 and later Steven would relinquish the drum stool to Frank.

They self-released a demo "The Necrotorous Chronicles" in 1998. The band then released their full length debut "The Purity Of Perversion" in 1999 from Uxicon Records. This quickly led to a split album with Christ Denied in 2000 released by Soulreaper Records.

The "Engineering The Dead" album emerged in 2001 on Listenable Records. After Frank left, the band incorporated session drummer Dirk Verbeuren (Scarve) to record the drums for their third release. Later in 2003, they released the album "Goremageddon: The Saw And The Carnage Done" as their second release with Listenable Records. The album included a cover version of Carcass's Carnal Forge. Promotion for the album saw the band on tour in Europe with Immolation.

To coincide with European tour dates in April 2004 partnering Cannibal Corpse the band issued a special EP release "The Haematobic". This EP comprised three new songs, a cover of Entombed's Drowned plus studio and live video clips. Long term drummer Frank bowed out at this juncture; live dates seeing Dirk Verbeuren stepping back in as substitute. Gilles Delecroix (Belenos, Gronibard and Burgul Torkhain) having taken the drum position in March.

In December of 2004, the band yet again entered Antfarm Studios in Denmark with producer Tue Madsen to commence work on the album "The Archaic Abattoir" which was released in early 2005 through Listenable Records. Guest vocal appearances on the album included Bo Summer (Illdisposed), Michael Bogballe from Mnemic and Jacob Bredahl (Hatesphere). North American version of "The Archaic Abattoir", issued in May through Olympic Recordings and different sleeve art.

Guitarist Bart Vergaert quit in May, a band statement revealing the ex-member was "tired of playing this kind of music". Nevertheless, The band, drafting Stephane Souteyrand (also in Yyrkoon) as replacement. This was for the tour in the East Coast with Leng Tch'e, Impaled and Malignancy and appeared at the 'Maryland Death Fest' prior to filming a promotional video for the track 'Dead Wreckoning' with director Darren Doane. North American road work continued throughout 2005, witnessing October and November shows packaged with Cryptopsy, Cephalic Carnage, Suffocation and With Passion. However, the band parted ways with guitarist Thijs de Cloedt and bassist Frederic Vanmassenhove in December because of personal issues. Then the band line-up therefore added new faces Seb of (Genital Grinder and Balrog) on Guitars, Matty (Emeth) on Guitars and Olivia Scemama (No Return and Garwall) on bass.

The band parted ways with both drummer Gilles Delecroix and bass player Olivia Scemama in October. The latter was superseded by Emeth's Peter Goemaere, who debuted with the band in Tel Aviv, Israel. Later that same month the group recorded a fresh album "Slaughter & Apparatus: A Methodical Overture" released with Century Media. Two cover versions were laid down during the sessions, namely 'Slaughtered' from Pantera and Surprise! You're Dead from Faith No More. Studio guests on the album included Jeff Walker of Carcass and Henrik Jacobsen of Hatesphere.

Recently, the band released their new album "Strychnine.213" on the 24th June, 2008 by Century Media. They will be touring around North America, stopping along the way to the festival "Summer Slaughter" with death metal legends Carcass and others.


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If ever there was a test case proving that hard work, tenacity, a healthy helping of suffering, and word of mouth pay off, Blackguard is it. Formed in 2001 by guitarist Terry Roadcase and drummer Justine "Juice" Éthier as a straight-ahead black-metal outfit, the Montreal-based sextet-who clawed their way into the public eye under the dauntingly ponderous name of Profugus Mortis-has fought a pitched battle to stand out amongst their international metal brethren, having braved numerous line-up changes and much needed sonic tweaking to get to where they were in 2008.

Blackguard as a viable entity was officially born with the addition of vocalist and born frontman Paul Ablaze in October 2004 to Profugus Mortis' ranks, followed a month later by bassist Étienne Mailloux, with both bringing the necessary dynamics to the band's sound and clarity to the group's collective vision. Staying true to their black-metal roots, the new Profugus Mortis turned their sights on a brutal new interpretation of Scandinavian folk metal.

"This comes to us naturally," says Ablaze, "and we're definitely the sum of our parts. What's going on around us influences us to a certain degree, of course, but in the end we're putting our own spin on it and giving the band its own defining characteristics. Before we came in, the band's sound was a lot more progressive black metal; there were a lot of riffs and tempo changes. But we've gone in a much more straightforward direction since then. I guess we took on a power-metal and a straight-up folk-metal influence along the way."

Wasting no time, they issued a four-song self-produced demo in March 2005, passing out free copies at metal shows in Montreal. In July that same year, Profugus Mortis played the Xtreme Distortion Fest in Montreal with KATAKLYSM and UNEXPECT, winning the coveted slot as Best Unsigned Band at the event. That success translated into a support slot with SODOM and FINNTROLL, which in turn earned Profugus Mortis the opportunity to open for YNGWIE MALMSTEEN at the request of Quebec's Capital du Metal.

Since then, Blackguard (still known as Profugus Mortis at the time) has supported and toured with numerous acts equally respected the world over, including LACUNA COIL, CATAMENIA, WARBRINGER, BEHEMOTH, THERION, INTO ETERNITY, ENSIFERUM, THE AGONIST, CRYPTOPSY, KRISIUN and VOIVOD. Added to this noteworthy rogue's gallery are Canadian tours with the Finnish godfathers of folk metal, MOONSORROW, and more recently QUO VADIS.

Profugus Mortis' first official foray as professional recording artists came in the form of the aptly titled ...So It Begins in March 2007. More a collection of songs showcasing the band's past and their new direction, the album became the best- and fastest-selling album in their label Prodisk's history. The album also signaled the beginning of the end of what was considered by many fans and press people alike to be the one element that made Profugus Mortis unique; in January 2008 violinist Emilie Livernois was given the boot, leaving a hole in the band's sound. Rather than listen to the naysayers, the band raised its middle finger and brought in former GOTHERFALL guitarist Kim Gosselin. It was a perfect match made in hell.

"One of the things that suffered was having a stronger rhythm," Ablaze says of Livernois' violin having been a focal point. "If Terry was doing a lead and Emilie was doing a lead and Jonathan (Leduc/keyboards) was doing his own little thing, the songs could end up sounding pretty weak. It's absolutely fantastic having Kim in the band now, because he beefs up the songs like crazy. The first time we jammed...we sounded like a frickin' beast (laughs)."

That beast, now known as Blackguard, has been unleashed. Their major label debut-entitled Profugus Mortis as a tribute to their past-is an outing that has brought diehard fans and (until now) ignorant folk-metal followers up short. Capitalizing on the best moments offered up on ...So It Begins, the new album is a folk-metal onslaught that redefines the genre and raises the bar to an all-time high. Just as important, if not more so, the new material sees a revamped and hungry Blackguard coming into their own as a live act that cannot be ignored.

If all the world is a stage, it belongs to Blackguard-starting now.


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System Divide is a melodic death metal band. Founded in Tel Aviv, Israel in 2008, SYSTEM DIVIDE quickly became a transnational project with in its rank vocalists Sven De Caluwe (Aborted) and Miri Milman (ex-Distorted), longtime friends Cole Martinez (ex Years of Fire, Antenora), Andrew Lenthe (Antenora), and Mike Heller (Malignancy).
SYSTEM DIVIDE set out to revolutionize the conventions of the over-saturated melodic death metal genre, proving that extreme metal can have more depth than blast beats, while female vocals do not have to conform to the precepts of the "Goth" genre. In mixing many styles The Collapse , the band's debut EP breaks all the rules of extreme metal and is a landmark release for the young band.

As opposed to interjecting simple, predictable clean choruses into contrived song structures, SYSTEM DIVIDE unites serene female vocals and extreme vocals driven by lyrical themes that confront and seek to break everyday themes of disillusionment, societal materialism, and individual apathy. Musically, the band delivers myriad styles of riffing and grooves, while augmenting the entrancing soundscapes with hard-hitting drums and intricate bass lines. These elements together define the unique, spell binding, hypnotic sound of SYSTEM DIVIDE.

In order to achieve this complex calculus of sounds on The Collapse, Cole Martinez handled tracking duties at Conquistador Recordings. Mixing and mastering duties were handled by Jacob Hansen (Aborted, HateSphere Volbeat) at Hansen Studios in Denmark in April and May 2009. Artwork for The Collapse was completed by Colin Marks (Strapping Young Lad, Aborted, Nevermore). The result is a sonic and visual masterpiece that metal has eagerly been waiting for.

he band recruited Joseph Spiller (ex-The Binary Code) as a second guitarist shortly after the release of THE COLLAPSE and continued writing for its first fullength, tentatively titled 'Sterile' due out early 2010. Under the banner of don't break up a winning team, the band once again will record with producer/engineer Cole Martinez and mix with Jacob Hansen in Denmark. A video has been shot for 'The Apex Doctrine' by Kevin Custer (Hatebreed, Testament, Dope, Dying Fetus, Suffocation...) and should be aired from February 2010 on channels and the internet.

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DIAMOND PLATE formed in 2007 in the southwest suburbs of Chicago. DIAMOND PLATE unknowingly arrived at the right time, just as thrash-metal was beginning to make a huge comeback worldwide. Due to the ferocity of their music, coupled with a revived hunger for thrash, DIAMOND PLATE quickly established themselves as one of the top forces in the emerging U.S. thrash metal scene.

A young but formidable three-piece, DIAMOND PLATE made their debut in early 2008 with their ferocious and critically acclaimed, "Mountains of Madness" E.P. At the time, the average age of this three-piece was a mere 15 years old! The teenagers soon discovered critics and metal fans alike found colossal potential in the band and embraced their music immediately. The popularity of DIAMOND PLATE began growing from there. Stormspell Records released the "Mountains of Madness" E.P., as part of "Thrash Clash Vol. 2". Thanks to distribution from an indie label and self-promotion through the internet, the young three-piece from Chicago soon began to make a powerful international presence.

As the shows they played started getting bigger and bigger, DIAMOND PLATE became a household name in the metal scene of Chicago. Directly supporting some of metal's finest legends including Behemoth, Gojira, Exodus, D.R.I., Overkill, Joey Belladonna of Anthrax, and Destruction among others, DIAMOND PLATE soon became recognized for their intense and high-energy live sets. The band began to not only evolve in their live show but in their songwriting and technical abilities as well.

Two newly recorded songs were released via the internet in late 2008, and these tracks proved to the metal world that DIAMOND PLATE was a much tighter and focused band. DIAMOND PLATE dominated 2008 with crushing live shows and rave reviews of their new songs. The band's impact was so remarkable, that the mighty, UK-based Terrorizer Magazine named DIAMOND PLATE, "the 5th Best Unsigned Band of 2008," and a 2008 Metal-To-Infinity review claimed, "world domination is the next step for this band."

In 2009, DIAMOND PLATE entered the studio to record their standout follow-up, "Relativity." This E.P. featured newly recorded songs, like the epic seven minute title track and neck-breaking displays of old-school thrash metal mixed with progressive arrangements. The "Relativity" E.P. took DIAMOND PLATE's sound to a higher, stellar level and in turn, further solidified DIAMOND PLATE's place in metal history.

Shortly following the release of "Relativity," the band was invited to perform as a main stage act on the infamous Thrasho De Mayo festival in Hollywood, California. A week later DIAMOND PLATE's presence grew again as they took part in the well-renowned Chicago Powerfest with Devildriver.

In 2009, it became clear that DIAMOND PLATE was ready to take a much larger step forward. The band gained representation from manager, Frank Mastalerz of MWI International, after DIAMOND PLATE played a number of impressive shows at the Chicago-area venue, The Pearl Room (the club that Mastalerz booked at the time). It was at DIAMOND PLATE's third show at the Pearl Room (supporting Overkill) that Frank and MWI approached the band about full-time career management. DIAMOND PLATE signed on with MWI and the career of the band started moving in a professional direction.

Digby Pearson, owner of Earache Records had his eye on DIAMOND PLATE for a few years and in the summer of 2010, the band received a personal email from Digby himself offering to sign DIAMOND PLATE to Earache. A few months later after this initial email, DIAMOND PLATE was signed.

After years of writing and playing live as a three piece, it wasn't until DIAMOND PLATE's deal with Earache that they considered adding another guitar player to help enhance their live show. Mario Cianci officially joined the band in early 2011, and makes his live debut with DIAMOND PLATE in summer 2011. *

As the band finished writing the material for their debut album, Earache recommended DIAMOND PLATE use producer Neil Kernon (Cannibal Corpse, Nile, Nevermore, Deicide, Judas Priest, etc.) for their first album. The band agreed, knowing Kernon came with an impressive track record, producing and recording some of metal's biggest bands metal, and coincidentally, Kernon lives in DIAMOND PLATE's backyard, Chicago.

"GENERATION WHY?" Out August 9, 2011 (USA) and August 29, 2011 (UK/EUROPE) via Earache Records!

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